Watch unlimited films online for $6.99.
Try MUBI for FREE.
 

Keaton's Favorite Auteurs

Displaying all 15 auteurs
W120

Mario Bava

“In a horror film, lighting is 70% of the effectiveness. It’s essential in creation the atmosphere.”

 
W120

Dario Argento

“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”

 
W120

George Kuchar

“I get up late after editing ‘til dawn, soil some kitchenware, feed the cats and then go out for exercise so that my mid section doesn’t expand so much when I sit down at the editing bench once again.”

 
W120

Russ Meyer

“I always had a tremendous interest in big tits.”

 
W120

Federico Fellini

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one...”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”

 
W120

Gus Van Sant

“I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.”

 
W120

Satyajit Ray

“What is attempted in these films is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.”

 
W120

Howard Hawks

“I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move! ”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”

 
W120

Rainer Werner Fassbinder

“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”

 
W120

Jacques Tati

“Like a dancer learns to dance ... a visual comic learns to use his legs.”

 
W120

George Cukor

“I don't weep or anything, but there's always some part of me left bloody on the scene I've just directed.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”