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John's Favorite Auteurs

Displaying auteurs 1 - 20 of 79 in total
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Léos Carax

“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”

 
W120

Bob Fosse

“Dance expresses joy better than anything else.”

 
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Joe Dante

[About producing movie trailers for Roger Corman] "We did all kinds of things in trailers to help sell films. We had a famous exploding helicopter shot from one of those Filipino productions that we'd cut in every time a trailer was too dull because that was always exciting."

 
W120

Satoshi Kon

“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”

 
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Joss Whedon

“If nothing we do matters, then all that matters is what we do.”

 
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James Whale

“Hollywood is just too marvelous. One feels the footprints of all the immortals are here, but has a terrible feeling that they are in sand and won’t last when civilization comes this way.”

 
W120

Bob Rafelson

“If it happens that people respond to your work in your lifetime, well, you’re very lucky. In some way it gives you permission to go on making movies. But if you don’t get the applause, well, there are other things. I mean, after all, there’s your life to live.”

 
W120

Alex Proyas

“I like science fiction as a genre, and to me, I like basing my films in the real world in terms of being scientifically plausible.”

 
W120

Don Siegel

“Most of my pictures, I’m sorry to say, are about nothing. Because I’m a whore. I work for money. It’s the American way.”

 
W120

Godfrey Reggio

“It is very easy to make clear what you want a film to say, but I did not wish to engage in overt propaganda, even for the right cause. I wanted to create an experience through the films, something where people could have the freedom of their own response to them.”

 
W120

Martin Campbell

“I like pre-production and post the best. I don't like shooting at all. I find it grueling and tough, but I love post and the whole process of seeing the film finally come together. You start ironing out all the rough spots, and the really bad bits you just throw away. So from day one of post to the last day, you see nothing but improvements.”

 
W120

Alexander Payne

“I thank you for this award, though I think there may be a problem with a world in which making small, human and humorous films is ‘an achievement.’ It should be the norm.”

 
W120

Richard Lester

“Film-making has become a kind of hysterical pregnancy.”

 
W120

Nicolas Roeg

“You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.”

 
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John Boorman

“I have sought that lost grace in the film-making process, where the material things of the world – money, buildings, sets, plastic, metal, people – disappear into a camera and become nothing but light and shadow flickering on a wall: matter into spirit, the alchemists would say.”

 
W120

John Carpenter

“In France, I'm an auteur; in Germany, a filmmaker; in Britain, a genre film director; and, in the USA, a bum.”

 
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Kathryn Bigelow

“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”

 
W120

John Woo

“The movies I like to make are very rich and full of passion. Some people see me as an action director, but action is not the only thing in my movies. I always like to show human nature - something deep inside the heart.”

 
W120

Katsuhiro Ôtomo

“As I originally developed [AKIRA], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialised comic strip.”