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Catherine's Favorite Auteurs

Displaying auteurs 1 - 20 of 28 in total
W120

Yuriy Norshteyn

“Never allow oneself to remain the same – like a river, always renew yourself. I’m always wondering about the paths that would open animation to become a real dramatic art.”

 
W120

Evelyn Lambart

“The way I was brought up was to think of yourself as a person who had an obligation to use your talents in any way you could. Whether you were a woman or not didn't make any difference.”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”

 
W120

Len Lye

“One of my art teachers put me onto trying to find my own art theory. After many morning walks…an idea hit me that seemed like a complete revelation. It was to compose motion, just as musicians compose sound. [The idea] was to lead me far, far away from wanting to excel in…traditional art.”

 
W120

Oskar Fischinger

“Everything in the world has a spirit which is released by its sound.”

 
W120

Lotte Reiniger

“I love working for children, because they are a very critical and very thankful public.”

 
W120

Gen Takahashi

“I’m not too bothered about whether my film is Japanese or non-Japanese, I don’t particularly aim for a non-Japanese style […] I myself don’t really fit into Japanese society so maybe that’s just the natural outcome.”

 
W120

Lynne Ramsay

“I've found that film-making's not just a job, it becomes part of your whole life.”

 
W120

Carl Theodor Dreyer

“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”

 
W120

Kihachiro Kawamoto

“Puppets make their own story, while with cut out animation the story is created by the animator.”

 
W120

Shôhei Imamura

“I show true things using fictional techniques but maintaining truthfulness — that's where my approach differs from Ozu. He wanted to make film more aesthetic. I want to make it more real. He aspired toward a cinematic nirvana. When I was his assistant, I was very opposed to him, but now, whilst still not liking his films, I'm much more tolerant. As for me, I'd like to destroy this premise that cinema is fiction.”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”