“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“Definitely faces are important to me. One of my problems with a lot of things I watch is that everybody’s too pretty and it takes me out of the film because I’m thinking that all these people look like I’ve seen them in a café in Los Angeles.”
“I have learned more about love, selflessness and human understanding from the people I have met in this great adventure in the world of AIDS than I ever did in the cutthroat, competitive world in which I spent my life.”
“All my life, I’ve liked to travel and make movies and I’ve been able to combine the two. But I can’t look at the other cultures through their eyes, I can only look at them through mine, which are the eyes of an American of my generation.”