[on his film, Nizza] “In this film, by showing certain basic aspects of a city, a way of life is put on trial. The last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”
“You just see so many movies that at some point it becomes part of your life...Movies always follow us as reference material or as some kind of dreamlike material for dealing with things we don't understand in our lives. Movies give us solutions, or provide a whispering commentary on what is happening around us.”
“I feel like an abusive tenant. I don’t have friends anymore. They were all younger than me and they died before me, Gassman, Fellini, Zapponi, Lapegna, Tognazzi, Mastroianni, Sordi, Manfredi. I don’t have nobody to talk with. The language used by young people today is unbearable. My nephews talk only about "dotcoms” and “www”. I don’t even have that thing, how’s it called, the fax. I still post my letters in the mailbox.”
“As a director, I have to feel realism from actors, and they can’t be plastic. The words for me are secondary, but the chemistry between the actors is most important.”
“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”
“I wouldn’t wish the eighties on anyone, it was the time when all that was rotten bubbled to the surface. If you were not at the receiving end of this mayhem you could be unaware of it.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”