Some of the interstitial barn shots (particularly the livestock and the hatchet) in Revanche seemed to be subverting what were horrific scenes in Michael Haneke’s films (Code Inconnu and Caché), and in a sense, the films are also connected by questions of guilt, problems of communication, and treatment of “outsiders”. Were these conscious parallels worked into the film?
Submit questions to REVANCHE director Götz Spielmann about 4 years ago
Some of the interstitial barn shots (particularly the livestock and the hatchet) in Revanche seemed to be subverting what were horrific scenes in Michael Haneke’s films (Code Inconnu and Caché), and in a sense, the films are also connected by questions of guilt, problems of communication, and treatment of “outsiders”. Were these conscious parallels worked into the film?
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