“I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.”
“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”
“Most people have one independent film in them, because it’s so hard. And then they’re like, “Thank God I made it through. Now I’m gonna go make studio movies.” Then they keep waiting for studio movies to be made. The thing is, I am willing to hang lights and suffer and keep doing it over and over again because I kind of like it. It’s the same thing that makes you want to go camping. You get into it.”
“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”
“Gromit was the name of a cat. When I started modeling the cat I just didn`t feel it was quite right, so I made it into a dog because he could have a bigger nose and bigger, longer legs.”
“I don’t start with a philosophical or thematical approach. Instead I often start with a genre that’s relatively easy to understand and then explore how I want to work in that genre.”