“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”
“What's important for me in a film is that it be alive, that it be imbued with presence, which is basically the same thing. And that this presence, inscribed within the film, possesses a form of magic. There's something profoundly mysterious in this.”
“If you don't risk yourself and the people with whom you're working in almost every shot you make, it's not good, it's useless, it's just another film.”
[on his film, Nizza] “In this film, by showing certain basic aspects of a city, a way of life is put on trial. The last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”
“French production is not definitively outclassed by the Americans and that we are not henceforward going to be reduced always to be following in others’ footsteps.”
“I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts.”