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Doug's Favorite Auteurs

Displaying auteurs 1 - 20 of 21 in total
W120

Luc Dardenne

“Of course, we always hope our films will speak to people, disturb them, but we never hoped to change the world”

 
W120

Roberto Rossellini

“I am not a pessimist; to perceive evil where it exists is, in my opinion, a form of optimism.”

 
W120

Alain Resnais

“I'm always in search of special nonrealistic language that has musicality. ”

 
W120

Hayao Miyazaki

“Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”

 
W120

Peter Watkins

“I think that the main impact on my work, on the making of this film, came from the intensity of the similarity I felt to Edvard Munch as a man, as an artist, as someone who struggled throughout his life.”

 
W120

Richard Linklater

“I've always liked the minds of criminals, they seem similar to artists. ”

 
W120

Jacques Tourneur

“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.”

 
W120

Satyajit Ray

“What is attempted in these films is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.”

 
W120

Jacques Tati

“Like a dancer learns to dance ... a visual comic learns to use his legs.”

 
W120

Terence Davies

“Martin Scorsese is a huge name! I'm not a huge name. I go into a room full of people and I'm the only person I've not heard of.”

 
W120

Chris Marker

“Rarely has reality needed so much to be imagined.”

 
W120

Frank Borzage

“Make the audience sentimental instead of the player. Make the audience act.”

 
W120

Kenji Mizoguchi

“You must put the odor of the human body into images...describe for me the implacable, the egoistic, the sensual, the cruel...there are nothing but disgusting people in this world.”

 
W120

Orson Welles

“A film is never really good unless the camera is an eye in the head of a poet.”

 
W120

Víctor Erice

“I think that among the arts, cinema is the least known. Its history is generally ignored, and so is, above all, its real nature. As cinema is the most secret of all artistic languages, it is also the least understood.”

 
W120

Jacques Rivette

“What's important for me in a film is that it be alive, that it be imbued with presence, which is basically the same thing. And that this presence, inscribed within the film, possesses a form of magic. There's something profoundly mysterious in this.”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
W120

Éric Rohmer

“I do not say, I show. I show people who move and speak.”

 
W120

Yasujirô Ozu

“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”