“I've always loved the idea of fairy tales, but somehow I never managed to completely connect with them. What interests me is taking those classic images and themes and trying to contemporize them a bit. I believe folk tales and fairy tales have some sort of psychological foundation that makes that possible.”
“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”
“In a way all my films have looked at the question of how a person exists in relationship to a group. The subject that I keep coming back to is the link, and the difference, between individual issues and social issues.”
[Answering the questions: what keeps you going?] "There is no secret – it is work! It is doing something, it is a natural impulsion. My life is so complicated – I need space around me, I have so much going on and my house is small, and I need breathing space. I cannot seem to sort it out. I cannot either stretch time, or enlarge the house. That would take up precious time which I cannot afford."
“...in America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience. Not to say that it's all bad, but it leaves a lot of the rest of us out of it. To me cinema can be a much more friendly world if there's a lot of things to choose from.”
“Every time I make a film, I feel it gives me the chance to learn something new. I've been lucky over the past few years. Things have just happened for me.”
“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”
“Perhaps it makes sense that a woman whose earliest memory was on the set of Apocalypse Now would grow up to direct a dark fable about five adolescent girls who unapologetically and unceremoniously kill themselves...”