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Telmo's Favorite Auteurs

Displaying auteurs 1 - 20 of 42 in total
W120

Alfred Hitchcock

“For me, the cinema is not a slice of life, but a piece of cake.”

 
W120

F.W. Murnau

“Our battle, our struggle, is to create art. Our weapon is the moving picture...we are scientists engaged in the creation of memory... but our memory will neither blur nor fade.”

 
W120

Kaneto Shindô

“My mind was always on the commoners, not on the lords, politicans, or anyone of name and fame. I wanted to convey the lives of down-to-earth people who live like weeds.”

 
W120

Andrzej Żuławski

“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”

 
W120

Agnès Varda

“I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.”

 
W120

Max Ophüls

“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”

 
W120

Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”

 
W120

Takeshi Kitano

“Sword fighting in film is not about how good the fighter is, but how good the actor receiving the blows is.”

 
W120

Pedro Costa

“If you don't risk yourself and the people with whom you're working in almost every shot you make, it's not good, it's useless, it's just another film.”

 
W120

Rainer Werner Fassbinder

“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”

 
W120

Maya Deren

“The task of cinema or any other art form is not to translate hidden messages of the unconscious soul into art but to experiment with the effects contemporary technical devices have on nerves, minds, or souls.”

 
W120

Robert Bresson

“Make visible what, without you, might perhaps never have been seen.”

 
W120

Vittorio De Sica

“I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.”

 
W120

Mikhail Kalatozov

"We saw the film (I am Cuba) as a kind of poem, as a poetic narrative.” —Sergei Urusevsky, cinematographer

 
W120

Luchino Visconti

“I took a round trip around Hollywood because I think it frightened me. I didn’t want to get burned in that glare.”

 
W120

Abbas Kiarostami

“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”

 
W120

Jean Renoir

“A director makes only one movie in his life. Then he breaks it into pieces and makes it again.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”