“Knowledge and art can enlighten people and make them think democratically and makes them less vulnerable to power misuse. I want to contribute a centimetre to that tendency.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
“The camera became a weapon in my hands to express my opinions. As I grew more mature and my vision expanded, I thought I could raise questions and show the problems and hardships of the Kurds.”
“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
[on the making of "Blind Pig Who Wants to Fly"] "Although most foreigners didn’t quite catch the cultural references or understand the background (Indonesian social history), many understood and identified with the overall feeling of alienation. And that’s important to me: when the film is liberated from having to explain any facts or history or background, it independently expresses a strong feeling of confusion, unease, restlessness and even fear."
“My work centers essentially on the idea of the portrait, that is to pick an individual and try to picture his or her inner landscape – one could almost call it the inner space. And the discontinued narrative helps me to approach it.”
“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”
“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”
“I believe you have to be born a director. It’s like a child’s adventure: you take the initiative among other children and become a director, creating a mystery. You mould things into shape and create.”