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giopapala's Favorite Auteurs

Displaying auteurs 1 - 20 of 27 in total
W120

Pipilotti Rist

“Knowledge and art can enlighten people and make them think democratically and makes them less vulnerable to power misuse. I want to contribute a centimetre to that tendency.”

 
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

Bernardo Bertolucci

“I don't film messages. I let the post office take care of those.”

 
W120

Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”

 
W120

Bahman Ghobadi

“The camera became a weapon in my hands to express my opinions. As I grew more mature and my vision expanded, I thought I could raise questions and show the problems and hardships of the Kurds.”

 
W120

Mike Leigh

“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”

 
W120

Pedro Almodóvar

“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”

 
W120

Otar Iosseliani

“The thing we all have in common is that we’re always thinking about holidays.”

 
W120

JR

 
W120

Edwin

[on the making of "Blind Pig Who Wants to Fly"] "Although most foreigners didn’t quite catch the cultural references or understand the background (Indonesian social history), many understood and identified with the overall feeling of alienation. And that’s important to me: when the film is liberated from having to explain any facts or history or background, it independently expresses a strong feeling of confusion, unease, restlessness and even fear."

 
W120

Sébastien Lifshitz

“My work centers essentially on the idea of the portrait, that is to pick an individual and try to picture his or her inner landscape – one could almost call it the inner space. And the discontinued narrative helps me to approach it.”

 
W120

Julio Medem

“I want my own experience with each film to be new, so I try to run away fully from the film I made before and make something completely different.”

 
W120

Abbas Kiarostami

“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”

 
W120

François Ozon

“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”

 
W120

Sergei Parajanov

“I believe you have to be born a director. It’s like a child’s adventure: you take the initiative among other children and become a director, creating a mystery. You mould things into shape and create.”

 
W120

Federico Fellini

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one...”