“Much of _Repentance_ consists of images I have seen in my dreams. I am certain that it was through dreams that my unconscious forced the story to the surface so that I would film it.”
“I felt that film-making generally didn't reach the level you could find in painting or literature or music. It was for one-time use only, and more and more, the movies were losing their visual power - they were concentrating on the plot only. That's why I started wanting to be a film director myself. It wasn't only the plot that was interesting; it was the touch, the feeling, something visually rich.”
“I've always felt more politically comfortable making films that demonstrated problems and didn't tell you how to solve them, but made you feel enough for the subjects who were hurt by these problems...”
“What is the survival strategy of a community in a state of perpetual catastrophe?...And when does making fun—the assumed irresponsibility, the dark humor that we, Romanians, are so proud of—stop being an impenetrable shield? This is the number one matter in all my movies.”