“Films are so over-edited nowadays. Nobody gives things the space to just exist. You don’t need to be chopping back and forwards. People like Antonioni were happy to just let things exist.”
“The independent world and the studio world are very different. The independent world is about, "Let's get this movie made because it's going to be awesome and we believe in it," and the studio world is about slow business decisions.”
“For me, the present is a golden era that’s ending too. That’s the greatest golden era. Right now. [Laughs.] I just like pining for lost times. I can pine for this morning.”
“It all comes from the writing. Then the desire to direct is the desire to have that kind of control over what I've written and to take my vision all the way to the end point.”
“The films that I loved growing up were the science fiction films from the late seventies and early eighties, which were more about the people and how they are affected by the environments that they are in. ”
“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”
“In the last few years, the progress we’ve made is that people have begun to accept that you can’t cop out with pictures—that you have to really be sincere about what you’re doing.”
“What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.”
“I’m a long-term student but also a committed autodidact. Therefore I’m as much interested in the ways people learn things for themselves as in the way they do through dialogue and communication. I like to film the way someone moves who is acquiring a new skill or learning something about the world.”
“My mother used to say ‘stay away from politics’, because my father went to prison. But if you reject politics, you reject a lot of relationships. The worst thing in society is individualism.”
"There are several good ways of making French films. Italian style, like Renoir. Viennese, like Ophuls. New Yorker, like Melville. But only Becker was and is French as France, French as Fontenelle’s rose and Bonnot’s gang." —Jean-Luc Godard
The French tell stories of their own people and the British do the same. Americans are much more international. With American cinema the director doesn’t have the deciding word in the final cut. When I make a film, I have the final say – I wouldn’t put up with anything other than that. Editing is a very important stage for me.