“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”
“I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.”
“I like stories that deal with the fragility of existence, a little bit, that things can happen to you that throw you off balance and I think that has autobiographical reasons.”
“I like to create an atmosphere where actors feel safe enough to take risks. I certainly don't believe in being a macho bully; I'm not interested in frightening good work out of people. It's bollocks.”
“People here know that this is a special place, ... especially the people who have worked at other studios. There is no other place like this on the planet. There's this tangible energy in the air. They know they're working with people who are at the top of their game and who value creativity and storytelling above all else.”
“I consider my films first and foremost to be dramas about individuals in personal struggles and I consider myself to be a dramatist before I am a political filmmaker.”