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Gabriel's Favorite Auteurs

Displaying auteurs 1 - 20 of 29 in total
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Pedro Almodóvar

“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”

 
W120

Yasujirô Ozu

“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”

 
W120

Whit Stillman

“For me, the present is a golden era that’s ending too. That’s the greatest golden era. Right now. [Laughs.] I just like pining for lost times. I can pine for this morning.”

 
W120

Ridley Scott

“People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at. ”

 
W120

Ishirô Honda

“Monsters are born too tall, too strong, too heavy, they are not evil by choice; that is their tragedy”

 
W120

Blake Edwards

“Make 'em redecorate your office. That's primary, to let them know where you stand. Then, when you're shooting interior sequences, use your own interior decorator and set dresser. That way everything on the set will fit your house when you're finished.”

 
W120

Éric Rohmer

“I do not say, I show. I show people who move and speak.”

 
W120

Errol Morris

“The proper route to an understanding of the world is an examination of our errors about it.”

 
W120

Wim Wenders

“Any movie that has that spirit and says things can be changed is worth making. ”

 
W120

Mary Ellen Bute

“I am often asked how I moved from abstract films to Finnegan’s Wake? It’s plausible …Joyce’s premise: ‘One great part of every human existence is passed in a state which cannot be rendered sensible by the use of wide-awake language, cut-and-dry grammar and go-ahead plot’ is, like abstract films, about our ‘inner’ landscape. Joyce, like Whitman, and much Art, is about the essence of our Being; so, we’re traveling on the same terrain.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Peter Weir

“There’s almost a fear that if you understood too deeply the way you arrived at choices, you could become self-conscious. In any case, many ideas which are full of personal meaning seem rather banal when you put words to them.”

 
W120

Billy Wilder

“If you're going to tell people the truth, be funny or they'll kill you.”

 
W120

Jacques Tourneur

“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.”

 
W120

Chris Marker

“Rarely has reality needed so much to be imagined.”

 
W120

Kenneth Anger

[On unemployed filmmakers] "It seems much easier for these people to rent my films, look at them and make notes, than to give them a job."

 
W120

Robert Aldrich

“A director is a ringmaster, a psychiatrist and a referee.”

 
W120

Alfred Hitchcock

“For me, the cinema is not a slice of life, but a piece of cake.”

 
W120

Howard Hawks

“I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move! ”

 
W120

John Waters

“Some call me director, producer, filmmaker. I prefer to call myself pube-king.”