“I think that the main impact on my work, on the making of this film, came from the intensity of the similarity I felt to Edvard Munch as a man, as an artist, as someone who struggled throughout his life.”
“My whole philosophy of film-making – not that I’ve done it much – is that it’s a conspiracy. Conspire in Latin means ‘to breathe with’, and that’s how I feel about making a film. I want everyone to be making the film, not just me telling them what to do, because these guys are all experts in their field”
“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”
“I studied philosophy because it demands an intellectual outlook on the world [...] But I soon discovered that philosophy was too subjective: it lacks heart, it’s over-intellectual, and I found that it made me cut myself off from the everyday.”
“History is written by the winners. The books say the Indians were bad guys and the whites just needed a little land. It’s like, Excuse me, let me take your car. I’m discovering it. I’m putting my flag on your windshield.”
“As a filmmaker, the last thing you want to do is place kids in emotional or physical jeopardy. Especially for me, coming from a place of really loving those kids.”
“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”