

hey there mr. W, unfortunately my NY/MoMA FSC journey was delayed until mid-December(which in the end will work out for the better in many ways) so nothing too epic, but through my usual wiles I've been able to see a few things of great value. I say you man up and get the fifteen program pass for $105 ;-).......but seriously each of the programs you mentioned are essential, also worth taking a serious look at are the Gioli/Klahr program, the program with the new Thom Andersen film and the Gatten/Klahr/Nishikawa/Worden/Robinson program. If you don't post your thoughts on life cinematic then please PM me some random impressions when you feel like it...
yeah he just started a viewing long recently sense i've been pushing him to participate more over there so we'll see if he stays, he's not a very forum friendly person.
Excellent stuff. This is a tribute to the filmmaker’s wife and collaborator. Hurwitz focuses mostly on their cinematic output together than their personal life, thus he uses plenty of footage from… read review
Ozu’s first postwar film is about the relationship between an elderly widow and a homeless boy who she begrudgingly takes care of after he is brought to her by a neighbor. It’s implied that the social… read review
It took Jia 3 weeks to make this feature debut during his last year as a student in the Beijing Film Academy. What’s amazing is that it could be the opus of most other directors’ careers, and compared… read review
Watching this again in all its restored glory on the big screen, my appreciation of the film has increased exponentially. With its massive ensemble of characters, the film has the richness of an epic… read review
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