Watch unlimited films online for $6.99.
Try MUBI for FREE.
 

Aaron's Favorite Auteurs

Displaying auteurs 1 - 20 of 22 in total
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

David Gordon Green

“People think 'independent' means no interference. Not true. Unless you're paying for everything yourself, you're always subject to who's writing the checks.”

 
W120

Hal Hartley

“Despite the fact that I love story, character and dialogue, when I isolate the primary elements of film I find photography, movement and sound recording — in that order. Only then do I consider dramatic action. Film is essentially graphic for me.”

 
W120

Peter Greenaway

“I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realizing all the time that this is not a slice of life, this is openly a film.”

 
W120

Martin Scorsese

“Cinema is a matter of what's in the frame and what's out.”

 
W120

Sidney Lumet

“All great work is preparing yourself for the accident to happen.”

 
W120

Steven Soderbergh

“To me the director's job is to leave it in better shape than you found it, literally.”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Atom Egoyan

“I think with all directors there are ideas that recur, at least for the ones that have creative control of their films.”

 
W120

Paul Thomas Anderson

“I'll rebel against powers and principalities, all the time. Always, I will.”

 
W120

Errol Morris

“The proper route to an understanding of the world is an examination of our errors about it.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Woody Allen

“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”

 
W120

Jean-Pierre Jeunet

“I wanted to make a fake Paris, a Paris of dreams, like in my head when I was twenty and I arrived in Paris for the first time. I wanted to avoid the bad things: traffic jams, dog shit on the street, the rain.”

 
W120

Francis Ford Coppola

“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”

 
W120

Nuri Bilge Ceylan

“In my films the landscapes connect the characters to a sense of something cosmic. I try to recapture those moments in life where you suddenly feel that connection to a wider universe.”

 
W120

Gus Van Sant

“I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.”

 
W120

Hal Ashby

“Hitchhiked to Los Angeles when I was 17. Had about 50 or 60 jobs up to the time I was working as a Multilith operator at good old Republic Studios.”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”