“People love seeing violence and horrible things. The human being is bad and he can't stand more than five minutes of happiness. Put him in a dark theater and ask him to look at two hours of happiness and he'd walk out or fall asleep.”
“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”
“The independent world and the studio world are very different. The independent world is about, "Let's get this movie made because it's going to be awesome and we believe in it," and the studio world is about slow business decisions.”
“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”
“When you have to live with something for so many years, the film becomes indistinguishable from what you think of as your life. I’m sure there’s a danger to that. But there are also great things that can come from that.”
“I realized that because I'd been producing so much work, I hadn't changed enough as a person between projects. At that point I couldn't make another movie even if I'd wanted to, because I hadn't had a life for so long.”
“I only really want to be able to make the movies I wish to make, to function in a normal film industry and to have a producer who gives me enough creative freedom. Right now I want to make very simple movies, subtle, dry, strong and with interesting stories.”
“I refer to my work as being cinematographic poetry and that’s why I love that layering, those superimpositions, right from the beginning of my filmic work.”