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Joshua's Favorite Auteurs

Displaying auteurs 1 - 20 of 36 in total
W120

Hal Hartley

“Despite the fact that I love story, character and dialogue, when I isolate the primary elements of film I find photography, movement and sound recording — in that order. Only then do I consider dramatic action. Film is essentially graphic for me.”

 
W120

Kelly Reichardt

“I like working in a really private way. I mean, we got as far as a cut of [Old Joy] without speaking to any kind of lawyer or anything. We got into Sundance before we thought we should form a company. Aside from a lot of sound work and stuff still to go, it was all very private, and that’s a dream for me.”

 
W120

Apichatpong Weerasethakul

“I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts.”

 
W120

Agnès Varda

“I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.”

 
W120

Lucrecia Martel

“From the very beginning, even when I’m writing, I think a lot about the sound. Many elements of my work in cinema come from oral storytelling and oral tradition. I think about sound and the rhythm of the sound.”

 
W120

Luc Moullet

“Normal people are often a little crazy.”

 
W120

Shirley Clarke

“I was embarrassed for years to let anyone know I had won an Academy Award for The Connection. That wasn’t really a prize I wanted to win. I was happy to say that The Connection got a prize at Cannes. I was happy to say that The Cool World was the first independent film to play in Venice.”

 
W120

Alexander Kluge

“We don't perceive a contradiction between writing books, making films or producing a television program. These days you can't choose how you want to express yourself anymore.”

 
W120

Albert Serra

“I’m not interested in forcing a meaning onto a filmic story. In fact I’d even rather the audience know more than I do about the meaning of my films.”

 
W120

Maurice Pialat

“What I try to do, with the actors' consent, is to create something by beginning with a set situation that we can deviate from in the course of the shoot. ”

 
W120

Josef von Sternberg

“I care nothing about the story, only how it is photographed and presented.”

 
W120

Jean Eustache

“The films I made are as autobiographical as fiction can be.”

 
W120

Stan Brakhage

“There are a lot of movies made for nobody.”

 
W120

Pier Paolo Pasolini

“The mark which has dominated all my work is this longing for life, this sense of exclusion, which doesn't lessen but augments this love of life.”

 
W120

Gus Van Sant

“I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.”

 
W120

Léos Carax

“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
W120

Chantal Akerman

“When people ask me if I am a feminist film maker, I reply I am a woman and I also make films.”

 
W120

Rainer Werner Fassbinder

“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”