“I believe that the amount of music used in animation is similar to that used in live action films. In many movies, music can sometimes communicate something that the picture cannot and therefore can play a very important part.”
“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”
“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”
“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”
“When you have to live with something for so many years, the film becomes indistinguishable from what you think of as your life. I’m sure there’s a danger to that. But there are also great things that can come from that.”
“Things are being simplified a lot for us lately. I think people are hungry for something that shows more respect for the complexity of life, the depth, the grey areas.”
“People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at. ”