“The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn’t stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns.”
“As best you can, love, hope and be patient. And maybe to suffer is not bad. We must have sadness and grief because we are alive. We must endure hardness. That is the best there is. To know you are very small and life is very difficult and it is all beautiful, beautiful, beautiful… because you are alive.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”
“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”
“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”