“I want my films to urge the viewers to move towards self-knowledge, self-awareness, and awareness of certain important things that they never considered before. This is of the greatest importance to me”
“From the very beginning, even when I’m writing, I think a lot about the sound. Many elements of my work in cinema come from oral storytelling and oral tradition. I think about sound and the rhythm of the sound.”
“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”
“I’m not like other directors who don’t allow their actors to watch. I let them have one scene their way, one for me, then allow them to compare. I don’t choose actors for their appearance or ability in dancing or whatever, but because of their intelligence.”
“All I ever do is talk about films and then not make them. As a result I thought: just shut up about it—make a film then talk about it when it's done.”
“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”
“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”