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Bodio's Favorite Auteurs, Page 6

Displaying auteurs 101 - 120 of 177 in total
W120

Theodoros Angelopoulos

“Prizes are prizes, but I still need to tell that story. And being simple is the hardest thing.”

 
W120

Aleksandr Sokurov

“The surface of the screen and that of the canvas are one and the same.”

 
W120

Dziga Vertov

“I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see.”

 
W120

Lev Kuleshov

“Editing a film is like constructing a building.”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”

 
W120

Sergei Parajanov

“I believe you have to be born a director. It’s like a child’s adventure: you take the initiative among other children and become a director, creating a mystery. You mould things into shape and create.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
W120

Todd Solondz

“Some people will of course accuse me of misanthropy and cynicism. I can’t celebrate humanity but I’m not out to indict it either. I just want to expose certain truths.”

 
W120

Matthew Barney

“A lot of my work has to do with not allowing my characters to have an ego in a way that the stomach doesn't have an ego when it's wanting to throw up. It just does it.”

 
W120

Aki Kaurismäki

“Cinema is dead. It died 1962, I think it was in October!”

 
W120

Errol Morris

“The proper route to an understanding of the world is an examination of our errors about it.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Peter Greenaway

“I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realizing all the time that this is not a slice of life, this is openly a film.”

 
W120

François Ozon

“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”

 
W120

Ingmar Bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

 
W120

Wim Wenders

“Any movie that has that spirit and says things can be changed is worth making. ”

 
W120

Claude Chabrol

“A woman confronting men is a proper subject, it is inexhaustible.”

 
W120

Martin Scorsese

“Cinema is a matter of what's in the frame and what's out.”