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life`of`me's Favorite Auteurs

Displaying auteurs 1 - 20 of 66 in total
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Edwin

[on the making of "Blind Pig Who Wants to Fly"] "Although most foreigners didn’t quite catch the cultural references or understand the background (Indonesian social history), many understood and identified with the overall feeling of alienation. And that’s important to me: when the film is liberated from having to explain any facts or history or background, it independently expresses a strong feeling of confusion, unease, restlessness and even fear."

 
W120

Jacques Tati

“Like a dancer learns to dance ... a visual comic learns to use his legs.”

 
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Jafar Panahi

“In a world where films are made with millions of dollars, we made a film about a little girl who wants to buy a fish for less than a dollar.”

 
W120

Forugh Farrokhzad

“Sound, sound, sound. Only sound remains.”

 
W120

Majid Majidi

“The government has a monopoly on film stock and equipment, so every filmmaker has to go to them to rent these items. The government issues screening permits for the films, which means they can ban a film or demand changes in it. They also rate them on artistic and cultural merits. They reward A-grade films with rights to advertise on the government controlled media and screenings at the best theaters while C-grade filmmakers can be kept from making films for a year.”

 
W120

Jan Svěrák

“In Eastern Europe, the moral responsibility of the artist is even bigger than in France or in England. I would say that France and England are already largely westernized.”

 
W120

Lee Chang-dong

“There’s no question that ‘Green Fish’ and ‘Peppermint Candy’ draw on the political and economic problems of Korea. But they weren’t my main focus. My main interest has always been human beings. I believe film is the best medium to show something about human beings.”

 
W120

Karel Kachyna

“I like drawing-room stories set in an atmosphere of feelings, where the leading role is played by image, music, and often by what cannot even be expressed, that which is a part of our lives but is not concrete and cannot even be described. Apprehensions, hopes, dreams, someone’s touch... I would always like to have these things in my films. I think they are an essential part of the truth of life. And this truth is what film is mainly about. A film will never be a work of art unless it mirrors that truth, however subtly it may strive in other ways to express the most sublime thought.”

 
W120

Rob Reiner

“Everybody talks about wanting to change things and help and fix, but ultimately all you can do is fix yourself. And that's a lot.”

 
W120

Guillermo del Toro

“I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue.”

 
W120

Hiroshi Shimizu

People like me and Ozu get films made by hard work, but Shimizu is a genius… —Kenji Mizoguchi

 
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Edgar Wright

“Everything that I've done so far has had a bigger budget than the last, but I've never ever felt the benefit of the bigger budget because the ideas always exceed the budget. ”

 
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Emir Kusturica

“What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in…”

 
W120

Allan King

“[Cinema-]verite is the most terrifying, challenging and, if it works, the most rewarding filmmaking experience. It's the next best thing to being a writer.”