“More than any movie I've directed or produced, SCRAPBOOK has had the most impact. I am very glad we made that movie. More than any other project, it put me and my production company on the indie film map.”
“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”
“I merely make films about what comes into me from the outside, and making films is about putting what's within me outside again. I consider myself a hollow container. That's what's most important when I make my films. I myself am empty.”
“I only really want to be able to make the movies I wish to make, to function in a normal film industry and to have a producer who gives me enough creative freedom. Right now I want to make very simple movies, subtle, dry, strong and with interesting stories.”
“I don’t start with a philosophical or thematical approach. Instead I often start with a genre that’s relatively easy to understand and then explore how I want to work in that genre.”
“With Irma Vep, all of a sudden I decided that it was okay to mix genre, to mix cultures, and that movies sometimes could be experiments, that within the format of modern cinema, within the format of narrative, you could experiment by mixing elements.”
“I feel that cinema should be like a box of surprises, like a magic box. And in that world, anything is allowed to enter, as long as it's always treated with a spirit of 'Pop!'.”