“I feel that my work has evolved through Koyaanisqatsi, Chronos and Baraka. Both technically and philosophically I am ready to delve even deeper into my favorite theme: humanity’s relationship to the eternal.”
“The frame pauses briefly before the projector’s lamp, and then moves on. Our lives are accumulations of ephemeral images and moments that our consciousness constructs into a reality.”
“It was a romance from the start. The minute you know you can make a drawing move, the static drawing loses its appeal: movement is life. Animation represents the greatest breakthrough in 20th Century art.”
“It’s fun to be on the edge. I think you do your best work when you take chances, when you’re not safe, when you’re not in the middle of the road, at least for me, anyway.”
“Some people must go to extremes to get the world in balance for themselves. Some can't bear bright lights, so wherever they go they search for the dark; they turn the lights down, anything to sustain some level of comfort.”
“His penis saved his soul. Otherwise, he might have become a total Nazi.” (on Europa Europa protagonist Solomon Perel, a circumcised Jew who posed as an “Aryan” German during World War II to escape persecution)
“To say you want to be a director is to risk sounding obnoxious, pretentious, arrogant, and I think women are more fearful of sounding that way than men are.”