“I’m a long-term student but also a committed autodidact. Therefore I’m as much interested in the ways people learn things for themselves as in the way they do through dialogue and communication. I like to film the way someone moves who is acquiring a new skill or learning something about the world.”
“I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
[On making 'Blue Valentine'] “There was one day where we were shooting on the bus. That's a bit of a movie trope - the encounter on a bus - and yet when we shot that scene, we had a rainbow come out of nowhere. When stuff like that happens, and I know it sounds kind of corny, but you really feel that you are doing the right thing at the right time.”
“The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.”
“Being able to shoot on videos and commercials — just being on the set, with only a certain amount of time and shots and sequences to do in that amount of time, learning how to work with the crew the physical production and the limitations — is all good training.”
“Films are so over-edited nowadays. Nobody gives things the space to just exist. You don’t need to be chopping back and forwards. People like Antonioni were happy to just let things exist.”
“That feeling of standing on the edge of a cliff and having to reach the other side. When a character has to make an important decision or is forced to act, for better or for worse, he sets off big changes in his life. It's not just fiction. We all have to go through a transitory period like this.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”
“I constantly try to reinvent my sensibilities and my ideas. I enjoy some of the satisfaction that I get when I feel good about what I've done. But the process is quite lonely and quite painful.”
“I realized that because I'd been producing so much work, I hadn't changed enough as a person between projects. At that point I couldn't make another movie even if I'd wanted to, because I hadn't had a life for so long.”
“Perhaps it makes sense that a woman whose earliest memory was on the set of Apocalypse Now would grow up to direct a dark fable about five adolescent girls who unapologetically and unceremoniously kill themselves...”
“I like working in a really private way. I mean, we got as far as a cut of [Old Joy] without speaking to any kind of lawyer or anything. We got into Sundance before we thought we should form a company. Aside from a lot of sound work and stuff still to go, it was all very private, and that’s a dream for me.”