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Domenic's Favorite Auteurs

Displaying auteurs 1 - 20 of 59 in total
W120

Tarsem Singh

“I happen to be like a prostitute in love with the profession.”

 
W120

Johnnie To

“Hollywood can't do this. But we can: we can change things whenever we want.”

 
W120

Mike Leigh

“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”

 
W120

Wes Craven

“The first monster you have to scare the audience with is yourself.”

 
W120

Michael Cimino

“I don't make movies intellectually. I don't make movies to make a point. I make movies to tell stories about people.”

 
W120

Mario Bava

“In a horror film, lighting is 70% of the effectiveness. It’s essential in creation the atmosphere.”

 
W120

Paul Thomas Anderson

“I'll rebel against powers and principalities, all the time. Always, I will.”

 
W120

Abel Ferrara

“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”

 
W120

Satyajit Ray

“What is attempted in these films is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.”

 
W120

William Friedkin

“By the time a film of mine makes it into the theaters, I have a love-hate relationship with it. There is always something I could have done to make it better.”

 
W120

Hayao Miyazaki

“Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

Ingmar Bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

 
W120

Mira Nair

“I want to question what the outside is and who defines it. I often find those that are considered to be on the outside, extremely inspiring.”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Satoshi Kon

“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”

 
W120

Dario Argento

“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”

 
W120

Shinya Tsukamoto

“It’s strange. Part of me loves a city like Tokyo, but part of me would quite happily destroy it.”

 
W120

Paul Schrader

“What fascinates me are people who want to be one thing but who behave in a way contradictory to that. Who might say, ‘I want to be happy, but I keep doing things that make me unhappy.”