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21
Robert Regan
Picture of Robert Regan

About Me

When not watching movies (a situation I try to avoid), I listen to Duke Ellington, Billie Holliday, Django Reinhardt, Ralph Vaughn Williams, Frank Sinatra, and Luciana Souza. I like to read George Eliot, Cornell Woolrich, Ruth Rendell, and Don DeLillo. I have two daughters who are both smart, strong, and independent young women. It looks like their mother and I did something right. Among other things, I have been a bookseller, a projectionist, and worked for some years in the Film Department of MOMA. Born in NJ, lived in NYC for a long time, San Diego for a few years. Since then lived in the burbs and the boonies. My dream is to live within walking distance of Film Forum, but I’m not holding my breath.

Intolerance

Fort Apache

The Leopard

Band of Outsiders

The Deep Blue Sea

Bitter Rice

“I think one of the problems with my early criticism is that it assumes you’re supposed to be able to follow everything and then get this meaning of a scene. I don’t see how or why anyone should be expected to get the meaning of an event in a movie or a painting. That’s a place where criticism goes wrong: it keeps trying for the complete solution. I think the point of criticism is to build up the mystery. And the point is to find movies which have a lot of puzzle in them, a lot of questions.” —Manny Farber

Latest Update

Stories-we-tell

Stories We Tell

"Its most admirable quality is the deep sense of personal ethics that frames Ms. Polley's filmmaking choices." Manhola Dargis.

Favorite Films

Displaying 4 of 452 films

Style

  • Auteur-driven
  • Inspired collaboration
  • Serene & subtle
  • Wildly romantic
  • Canonical classics
  • Shh!—silent cinema

Wall

Displaying 4 of 1435 wall posts.
Picture of Shamus-

Shamus-

14May13

You've also definitely convinced me with your eloquence, Bob, haha.

Picture of Arsaib

Arsaib

13May13

It sounds like you're still making yourself quite useful, Bob. I hope your chauffeur duties paid off earlier today and someone decided to accompany you. And it looks to me like the trip was worth it. Did you see 'Stories We Tell' at Angelika or Lincoln Plaza? I was pleased to read that the film had a very strong opening for a specialty release. Polley deserves it! Can't wait to check this one out. // I'm not surprised that Gray has grown on you. He's been very outspoken about the craft of storytelling in cinema today, not in terms of breaking new ground, which he isn't trying to do himself, but being able to do something interesting within the classic narrative structure. And, yes, by current standards his films are decidedly 'uncool', which I know you like. I too am highly looking forward to the 'The Immigrant', which becomes his fourth film in a row to have been selected for a competition slot at Cannes. // I haven't seen this Rossellini film. Perhaps your comments will pique my interest. And feel free to share any further thoughts you might have regarding the Mulligan one, which we both love. // Take care. Arsaib

Picture of chanandre

chanandre

12May13

i looooooooooooved 'the deep blue sea'

Robert Regan likes this

  • Picture of Robert Regan

    Robert Regan

    13May13

    They don't make them like that very often these days!

  • Picture of chanandre

    chanandre

    13May13

    unfortunately no.

  • Picture of Robert Regan

    Robert Regan

    13May13

    Andre, I think you would like Sarah Polley's Stories We Tell. It's one of the few non-fiction films that I like. It's about people who are observed without condescension. If you get to see it, let me know what you think.

  • Picture of chanandre

    chanandre

    15May13

    I should think so. Every film done by her or starred by her, I happened to love, so that should be true as well. Did you know I finally saw tonite 'a woman's face' (the american remake) with joan crawford? what an enormous film...'people who are observed without condescension' that's a topic i'd surely like to see on a film since i think of myself as someone people observe WITH condescension. thanks for the recommendation. btw have you seen any portuguese films lately?

  • Picture of Robert Regan

    Robert Regan

    16May13

    Polley is indeed an amazing talent, Andre, and still growing. I regret that I don't expect to be around to see what she will be doing when she's Terence Davies' age or, hopefully, Oilveira's! /// Interesting that you mention George Cukor, He is one of the least patronizing filmmakers ever. In Holiday, for example, the father and the sister would be "heavies" under almost any other director, but Cukor, like Renoir, understands that everyone has their reasons. /// Andre, I hope it is a misconception on your part that people observe you with condescension. If not, I hope they learn! /// Haven't seen anything Portuguese since Mysteries of Lisbon which I adored. I'm looking forward to O Gebo e a Sombra, but I don't see a US release date! Will I bear seeing Silveira, Moreau, and Cardinale all in the same film?

Picture of Arsaib

Arsaib

9May13

Two more days for 'Voyage To Italy' at the Forum, Bob! Do you still make the trip as often as you used to? There's a major Ozu retro on the horizon as well. All 35mm prints, I believe (except for 'Kagamijishi'). // Looking at your recently updated '08 list, how did you see 'Ghost Town'? I've been meaning to watch it for a while now. I also noticed that you haven't rated it yet. // Looking forward to your thoughts on 'Distant Voices'. Let me know if you still require a streaming link. // Arsaib

  • Picture of Arsaib

    Arsaib

    9May13

    P.S., They've added another week to the Rossellini. Good move.

Reviews

Displaying 3 of 3 reviews.
Quality Street

Quality Street

Quality Street (1927) is a somewhat surprisingly powerful film with a mixed pedigree. Based on a play by James M. Barrie, later filmed less effectively by George Stevens with Katharine Hepburn, it…  read review

The Yellow Ticket

The Yellow Ticket

Before the Museum of Modern Art’s 1975 retrospective of his work, Raoul Walsh’s world seemed to many to be almost exclusively masculine. His best-known films were the rugged action vehicles he made…  read review

The Last Flight

The Last Flight

William Dieterle’s first American film was written by John Monk Saunders and may be seen as an unofficial sequel to his best-known movie, Hawks’ The Dawn Patrol. The Last Flight, however, is a post…  read review

Ratings

Displaying 4 of 3847 ratings
Frankenstein

Frankenstein

  • Currently 4.0/5 Stars.
Vanina Vanini

Vanina Vanini

  • Currently 3.0/5 Stars.
Broken City

Broken City

  • Currently 2.0/5 Stars.
Killing Them Softly

Killing Them Softly

  • Currently 3.0/5 Stars.

Forum

Displaying 8 of 258 comments

1942 Poll

7 days ago

1988 Poll

26 days ago

1950 Poll

about 1 month ago

1977 Poll

about 1 month ago

1995 Poll

2 months ago

1930 Poll

4 months ago