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Lefteris's Favorite Auteurs

Displaying auteurs 1 - 20 of 196 in total
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Jonas Mekas

“In Lithuania, I am known as a poet, and they don’t care about my cinema. In Europe they don’t know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!”

 
W120

Peter Tscherkassky

“I refer to my work as being cinematographic poetry and that’s why I love that layering, those superimpositions, right from the beginning of my filmic work.”

 
W120

Chris Landreth

“When you’re a director, you fall in love with stuff that may not serve the film.”

 
W120

Theodoros Angelopoulos

“Prizes are prizes, but I still need to tell that story. And being simple is the hardest thing.”

 
W120

Luc Dardenne

“Of course, we always hope our films will speak to people, disturb them, but we never hoped to change the world”

 
W120

Jean-Pierre Dardenne

“The truth is always less interesting than the fiction.”

 
W120

Fred Kelemen

“They are just movies, individual artistic expressions, personal reflections of reality.”

 
W120

Jack Cardiff

“I was not a technical person - I was never a technical person. I have always liked the more artistic side of things and I did get a lot of inspiration and knowledge from studying painting - that was very important.”

 
W120

Masahiro Shinoda

“It is much more fun to look at evil than to look at good!”

 
W120

Steve McQueen

“My influences come from real life. I’m not interested in cinema for cinema’s sake. I’m interested in life—what one does and how one interacts.”

 
W120

Josef von Sternberg

“I care nothing about the story, only how it is photographed and presented.”

 
W120

William Wyler

“I made over forty Westerns. I used to lie awake nights trying to think up new ways of getting on and off a horse.”

 
W120

Larry Jordan

“I make films in the surrealist manner forcing inspiration as often as possible. When I am not inspired, I do not make films. I have always wanted to show the 'impossible' in my films, and to astonish the viewer, rather than entertain or tell the truth. ”

 
W120

Samuel Fuller

“Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.”

 
W120

Busby Berkeley

“In an era of breadlines, depression and wars, I tried to help people get away from all the misery…to turn their minds to something else. I wanted to make people happy, if only for an hour.”