“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”
“Cinema never saved anyone's life, it is not a medicine that will save anyone's life. It is only an aspirin.
There are a few directors that I really loved who made like five, six great movies, but are still shooting and they're not good anymore.”
“I consider my films first and foremost to be dramas about individuals in personal struggles and I consider myself to be a dramatist before I am a political filmmaker.”
“(On why did he not record an audio commentary for 21 Grams) I don't like them. I feel that if you have to explain something it loses strength. It's like a magician trying to explain his magic, in a way.”
“The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.”
“When someone's paying you to do a job, which is most of the time, you always have to respect your clients. But if I could make a beautiful film and at the same time make people think, then that's perfect.”
“By the time a film of mine makes it into the theaters, I have a love-hate relationship with it. There is always something I could have done to make it better.”
“The soundscape is fifty percent of the experience. Any kid can nowadays easily point out where and how you’ve made certain visual effects, but very rarely what they’ve experienced with their ears. This is still an enormous orchestra to conduct, which is in the dark for the audience.”
“All I ever do is talk about films and then not make them. As a result I thought: just shut up about it—make a film then talk about it when it's done.”