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William's Favorite Auteurs

Displaying auteurs 1 - 20 of 46 in total
W120

Götz Spielmann

“There is, behind all the conflicts and painful things I show in my films, a fundamental spark of optimism - the conviction that life isn't a mistake, that it all somehow makes sense.”

 
W120

Kelly Reichardt

“I like working in a really private way. I mean, we got as far as a cut of [Old Joy] without speaking to any kind of lawyer or anything. We got into Sundance before we thought we should form a company. Aside from a lot of sound work and stuff still to go, it was all very private, and that’s a dream for me.”

 
W120

Jean-Pierre Melville

“I believe that you must be madly in love with cinema to create films. You also need a huge cinematic baggage.”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
W120

David Fincher

“I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.”

 
W120

Terry Gilliam

“You get trapped by stories. Though I've got this reputation for being out of control, it's not true, it just happens to be a more interesting story than the truth.”

 
W120

David Lynch

“I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.”

 
W120

Roman Polanski

“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”

 
W120

Yasujirô Ozu

“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Francis Ford Coppola

“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”

 
W120

Paul Thomas Anderson

“I'll rebel against powers and principalities, all the time. Always, I will.”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”

 
W120

Louis Malle

“You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.”

 
W120

Alfred Hitchcock

“For me, the cinema is not a slice of life, but a piece of cake.”

 
W120

Lucrecia Martel

“From the very beginning, even when I’m writing, I think a lot about the sound. Many elements of my work in cinema come from oral storytelling and oral tradition. I think about sound and the rhythm of the sound.”

 
W120

Catherine Breillat

“When I shoot a film, I always project myself into one of the characters, at once into either a man or a woman...”

 
W120

Claire Denis

“Even if it's the dream of a voyage, I think it was very important for me that the film offer the two sides of the globe.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”