“I’m a multi-faceted, talented, wealthy, internationally famous genius. I have an IQ of 190 — that’s supposed to be a genius. People don’t like that. My answer to all my critics is simple: I like me. I like what I’ve become. I’m proud of what I’ve achieved, and I don’t really believe I’ve scratched the surface yet.”
“What fascinates me are people who want to be one thing but who behave in a way contradictory to that. Who might say, ‘I want to be happy, but I keep doing things that make me unhappy.”
“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”
“Every film I've done has been a Western. The Western is ultimately a stripped down moral universe that is, whatever the dramatic problems are, beyond the normal avenues of social control and social alleviation of the problem, and I like to do that even within contemporary stories.”
“You get trapped by stories. Though I've got this reputation for being out of control, it's not true, it just happens to be a more interesting story than the truth.”
“Dialogue is something I really enjoy; in some ways I feel like I enjoy it too much and that's one thing I've been trying to work on as a writer, not saying everything with dialogue and trying to pull back on it.”
“Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.”
“The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world. A picture is made. You put a frame around it and move on.”
“Despite the fact that I love story, character and dialogue, when I isolate the primary elements of film I find photography, movement and sound recording — in that order. Only then do I consider dramatic action. Film is essentially graphic for me.”