“What justifies a movie? It’s the reaction it causes in people who see it, professionals or not – the “echo” it finds in certain people. But it is obvious that the critics and the prizes help a little in the visibility of films.”
“Peter Greenaway is a great aesthetic filmmaker. For my money, he's a bit heavy. He's a bit intellectual. I never care about his people, I mean really care about them.”
“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”
“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”
“Women blame themselves for everything that is wrong, and men never do that. We have to stop blaming ourselves for what we don’t have and start asking for what we deserve, whether it’s more money or more work or whatever.”
“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”
“I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realizing all the time that this is not a slice of life, this is openly a film.”
“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”
“If you’re making a film, it’s more honest to make your presence felt than to hang back furtively on the other side of the room, because no-one really benefits from that. That approach really is, to use the dread word, voyeuristic. You’re there with all your equipment, but pretending you’re not there.”
“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”