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Andrew's Favorite Auteurs

Displaying auteurs 1 - 20 of 26 in total
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Sergei Eisenstein

“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”

 
W120

Götz Spielmann

“There is, behind all the conflicts and painful things I show in my films, a fundamental spark of optimism - the conviction that life isn't a mistake, that it all somehow makes sense.”

 
W120

Kelly Reichardt

“I like working in a really private way. I mean, we got as far as a cut of [Old Joy] without speaking to any kind of lawyer or anything. We got into Sundance before we thought we should form a company. Aside from a lot of sound work and stuff still to go, it was all very private, and that’s a dream for me.”

 
W120

Ramin Bahrani

“Film is really 24 frames a second in the present, and I realize when you leave certain gaps, it allows space for the viewer to enter the film.”

 
W120

Hong Sang-soo

“When I finish a film, I feel like I have overcome a certain hurdle. It's really good for me as a human being, and I hope that for some people, my films will do the same thing.”

 
W120

Jean Cocteau

“Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail. ”

 
W120

Aki Kaurismäki

“Cinema is dead. It died 1962, I think it was in October!”

 
W120

Dario Argento

“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”

 
W120

Ken Jacobs

“In real life, there’s no stories. Everything is unending, confusing. Nothing starts and concludes. There’s no beginning, middle and end in the actual experience of our lives, and we want this kind of neat little package, and we make them for ourselves in our stories.”

 
W120

Bruce Conner

“With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.”

 
W120

Deborah Stratman

“If we gain nothing from experimental film, I hope at the very least it convinces us that there are more ways to ‘speak’ than with words. In my films, I’ve tried again and again to attempt a cinema where strongly held beliefs, political sentiment, existential longing, even historical reverie might be presented and argued non-linguistically.”

 
W120

Chris Marker

“Rarely has reality needed so much to be imagined.”

 
W120

Federico Fellini

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one...”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”

 
W120

Stanley Kubrick

“If it can be written, or thought, it can be filmed.”

 
W120

Errol Morris

“The proper route to an understanding of the world is an examination of our errors about it.”