- Le mépris (Jean-Luc Godard)
- La passion de Jeanne d’Arc (Dreyer)
- Les 400 coups (François Truffaut)
- Vivre sa vie (Jean-Luc Godard)
- L’Année dernière à Marienbad (Alain Resnais)
- Pierrot le fou (Jean-Luc Godard)
- La Jetée, Sans soleil (Chris Marker)
- Au hasard Balthazar (Robert Bresson)
- Les enfants du paradis (Marcel Carné)
- La Frontière de l’aube (Philippe Garrel)
Biography
Jon Hopkins is an electronic producer who meticulously constructs lush arrangements, blending digital beats and soothing ambience. His unique, hypnotic style made him a sought-after producer in the pop world, and earned him credits on albums by Coldplay, Massive Attack, Brian Eno, and Herbie Hancock in the late 2000s. Starting out as a gifted child pianist, in his teen years he became interested in synthesized sounds and started making acid house and drum’n’bass on a four-track recorder using computer software. He signed to Just Music at the ripe age of 19 in 2001, and recorded his debut album, Opalescent, while working part-time as a studio session musician in Wembley. His next album, 2004’s Contact Note, was slightly more cinematic in nature and gained the respect of Brian Eno, who recruited Hopkins to play keys on his 2005 comeback album, Another Day on Earth. Through Eno, Hopkins began working on Coldplay’s Viva la Vida as a co-producer before he returned to his solo career to complete his 2009 album, Insides. —allmusic guide.
Quote
“The study of beauty is a duel in which the artist cries with terror before being defeated. "
Biography
Charles Baudelaire was a 19th century French poet, translator, and literary/art critic. At his birth, Baudelaire’s mother, Caroline Archimbaut-Dufays, was 28; his father Francois Baudelaire was 61. Charles’ father instilled in him an appreciation for art, taking his young son to museums and galleries, and teaching him to paint. When Charles was six, his father died and Charles became very attached to his mother, but when she remarried, he was sent to boarding school. The school was ruled by military discipline which caused much of Baudelaire’s solitude and fits of crushing melancholy. Baudelaire resented the strictures of his life and was, in turn, difficult and rebellious. He frequently fought with students and teachers. He began to write poems, which were not well received by his masters, who felt them examples of precocious depravity, unsuitable for his age. He eventually attended the College Louis-le-Grand, but was expelled in April 1839.
In an attempt to draw him away from the company he was keeping, Baudelaire’s stepfather sent him on a voyage to India in 1841. Baudelaire jumped ship and eventually made his way back to France in February of 1842. On his 21st birthday, Baudelaire received his father’s inheritance, but his lavish and extravagant lifestyle (including use of hashish and opium) dwindled his fortune. He fell prey to cheats and moneylenders, which led to heavy debt. He also contracted the venereal disease that eventually took his life. His parents obtained a court order to supervise his money and Charles received only a small allowance. In 1842, Charles met a Creole woman named Jeanne Duval, who became his mistress and dominated his life for the next 20 years. Jeanne would inspire Baudelaire’s most anguished and sensual love poetry, provoking such masterpieces of the exotic-erotic imagination as “La Chevelure” (“The Head of Hair”).
Baudelaire used his writing to shock and astonish society, likely because of his strict upbringing and strong opposition to authority. He often focused on the immoral and cynical. He felt that his ideas where very similar to those of Edgar Allen Poe, who focused on beauty, death, and the bizarre. Baudelaire began to translate volumes of Poe’s work into French, and much of Poe’s popularity in England and France is attributed to Baudelaire. In 1857, Baudelaire’s most well-known work, “Les Fleurs Du Mal” (“The Flowers of Evil”) was seized by French authorities and Baudelaire was forced to omit six poems and pay a fine; today, it stands as perhaps the most influential poetry collection published in Europe in the 19th century. He continued to publish “salon” studies and critical reviews of other artists, including Flaubert’s “Madame Bovary”. In 1860, he began publishing prose poetry, a poetic form unknown in France, and became renowned for his innovation in prose experiments.
Near the end of his life, Baudelaire’s agonizing moods of isolation and despair, which he called his moods of “spleen,” returned and became more frequent. In 1867, while in Belgium, Baudelaire developed hemiplegia and aphasia. He was brought back to Paris, where he died. —imdb.com.
Quote
“Literature… is the union of suffering with the instinct for form. "
Biography
Thomas Mann was probably Germany’s most influential author of the 20th century, receiving the Nobel Prize in Literature in 1929. Born on 6 June 1875 in Lübeck, his family moved to Munich in 1893, where he lived until 1933 and wrote some of his most successful novels like “Buddenbrocks” (1901), “Death in Venice” (1912) or “The Magic Mountain” (1924). After the Nazi takeover, the humanist and anti-fascist, married to Katia Pringsheim, daughter of a secular Jewish family, emigrated to Switzerland, then to Princeton and Pacific Palisades in the United States, where he finished his great tetra-logy “Joseph and His Brothers” in 1942. Two years later, he became a naturalized US citizen, but finally returned to Europe in 1952. The famous analyst and critique of the German and European soul died on 12 August 1955 in Kilberg near Zurich. —IMDb
Quote
“Music is an agreeable harmony for the honor of God and the permissible delights of the soul.”
Biography
Johann Sebastian Bach was born on March 21, 1685, in Eisenach, Thuringia, Germany, into a large and distinguished family of professional musicians. His father, named Johann Ambrosius Bach, was a violinist and trumpeter, employed by the city of Eisenach. His uncles were church organists, court musicians and composers. His mother and father died before Bach was 10. As an orphan, he moved in with his eldest brother, J. C. Bach, an organist and composer, under whose tutelage Bach studied organ music as well as the construction and maintenance of the organ.
Education: At the age of 14, Bach received a scholarship and walked on foot 300 kilometers to the famous St. Michael’s school in Luneburg, near Hamburg. There he lived and studied for 2 years from 1699-1701. It was there that he sang a Capella at the boys chorale. Bach’s studies included organ, harpsichord, and singing. In addition he took the academic studies in theology, history and geography, and lessons of Latin, Italian, and French. Besides his studies of music by the local Nothern German composers, Bach had important exposure to the music of composers from other European nations; such as the French composers Jean-Baptiste Lully, Marais, and Marchand, the South German composers Johann Pachelbel and Froberger, and the Italians Arcangelo Corelli and Antonio Vivaldi.
Personality and character: Bach was 17 when he made a 4-month pilgrimage, walking on foot about 400 kilometers from Arnstadt to the Northern city of Lubeck. There he studied with ‘Dietrich Buxtehude’ and became so involved that he overstayed his leave by three months. Buxtehude being probably the best organist of his time became the living link between the founder of Baroque music [error] and the biggest Baroque genius, Bach. Back in Arnstadt, Bach wrote ‘Toccata and Fugue in D Minor’ (1702), his first masterpiece; which stemmed from his bold organ improvisations. At that time he was in love with his second cousin Maria Barbara; whom he was taking upstairs to the church organ, where her presence was inspirational for his creativity. Bach was punished for the violation of the restrictions on women’s presence in the church and he was fired. However, he eventually married Maria Barbara.
Cross-cultural studies: Bach studied the orchestral music of Antonio Vivaldi and gained insight into his compositional language by arranging Vivaldi’s concertos for organ. Six French suites were written for keyboard; each suite opens with ‘Allemande’ and consists of several pieces, including ‘Courante’, ‘Sarabande’, ‘Menuet’, ‘Gavotte’, ‘Air’, ‘Anglaise’, ‘Polonaise’, ‘Bourree’, and ‘Gigue’. As suggested by their titles, the pieces were representing songs and dances from various cultures. From the music of the Italians Antonio Vivaldi, Arcangelo Corelli, and ‘Giuseppe Torelli’; Bach adopted dramatic introductions and endings as well as vivacious rhythmical dynamism and elaborate harmonization. Bach also performed the music of English, French, and Italian composers; motets of the Venetian school, and incorporated their rhythmical patterns and textural structures in the development of his own style.
Teaching: Bach selected and instructed musicians for orchestras and choirs in Weimar and Leipzig. His work as a Cantor included teaching instrumental and vocal lessons to the church musicians and later to the musicians of the court orchestra. Bach was also a teacher of his own children and of his second wife. In 1730, Bach presented his second wife with a musical notebook for studies, known as the ‘Notebook of Anna Magdalena Bach’. Compositions in the notebook were written in a form of minuete, polonaise, gavotte, march, rondeau, chorale, sonata, prelude, song, and aria; written mainly by Bach, as well as by his sons ‘Carl Philip Emanuel Bach’, Johann Christoph Bach, and composers ‘Francois Couperin’, Georg Bohm, and others.
Family: Bach married his second cousin, named Maria Barbara, who was the inspirational force for his early compositions. They had seven children, 4 of whom survived to adulthood. W. F. Bach, J. C. Bach, and C. P. E. Bach became composers. Maria Barbara died in 1720. On December 3, 1721, Bach married Anna Magdalena (bee Wilcke), a talented soprano, who was 17 years his junior. They had thirteen children. Bach fathered a total of 20 children with his two wives. His sons ‘Friedemann Bach’, Johann Christoph Bach, and ‘Carl Philip Emanuel Bach’ became important composers in the Rococo style. The descendants of Bach are living in many countries across the world.
Social activity: Bach replaced his friend Georg Philipp Telemann as the director of the popular orchestra known as Collegium Musicum, which he led from 1729-1750. It was a private secular music society that gave concert performances twice a week at the Zimmerman’s Coffeehouse near the Leipzig market square. Bach’s exposure to such a secular public environment inspired him to compose numerous purely entertainment pieces for solo keyboard and several violin and harpsichord concertos.
Politics: Being the undisputed musical genius, Bach still suffered from ugly political machinations. Although the Leipzig Council had enough money, they never honored the promised salary of 1000 talers a year; promised to Bach by the Mayor of Leipzig, Gottlieb Lange, at the hiring interview. Bach worked diligently, in spite of being underpaid for 27 years until his death. On top of that local political factions in the Leipzig Council manipulated Bach’s educational work as well as his compositions and public performances. They were pressuring him as the Cantor and Composer and interfering his creative efforts by imposing restrictions on his performances because of their ugly political games. Bach prevailed as he composed and played his “Mass in B Minor” to the monarch of Saxony and was appointed the Royal Court Composer of Saxony.
King Frederick the Great invited Bach to Potsdam in 1747. There the king played his own theme for Bach and challenged the composer to improvise on it. Bach used the ‘royal theme’ and improvised a three-part fugue on the king’s piano. Later Bach upgraded the king’s theme to a more sophisticated melody, and composed an array of pieces based on the improved ‘royal theme’, which he titled “Musical Offering” and later presented this composition to the king.
Legacy: Bach wrote over eleven hundred music compositions in all genres. In Leipzig alone he wrote a cantata for every Sunday and feast day of the year, of which 224 cantatas survive. Some of his compositions were written on the same theme at different times in his life, like choral cantatas and organ works on similar themes with significantly reworked arrangements. The complete list of Bach’s works, BWV, has 1127 compositions for voice, organ, harpsichord, violin, cello, flute, chamber music for small ensembles, orchestral music, concertos for violin and orchestra, and for keyboard and orchestra. His music became the essential part of the education for every musician. Bach influenced such great composers as Ludwig van Beethoven, Franz Liszt, Frédéric Chopin, Felix Mendelssohn-Bartholdy, Sergei Rachmaninoff, Sergei Prokofiev and many other prominent musicians.
Bach is by far the most performed and recorded composer in history. His ‘Das Wohltemperierte Clavier’ (The well-tempered keyboard, or The well-tuned piano, in modern terminology) is the definitive work for all students as well as concert musicians. Bach’s ‘Orgebuchlein’ (The little organ book) is a staple in the repertoire of organists and pianists, and some pieces from it were arranged for ensembles. Bach’s many chorales, especially the “Mass in B Minor” are considered the best works in the genre. His last work ‘The Art of Fugue’ is best known for it’s acclaimed performance by Glenn Gould. Bach’s music was used in hundreds of films, thousands of stage productions, and continues being played all over the world. —IMDb
Quote
“The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.”
Biography
Norwegian novelist Knut Hamsun was born to a poor family and sent to live with an uncle, a commercial fisherman. He grew up without any formal schooling. Hamsun left Norway for the U.S. twice: once in 1882, and again in 1886. Each time he stayed in the U.S. for two years, holding various jobs including farmhand and Chicago streetcar conductor. He was often poverty-stricken. His first novel “Hunger” is autobiographical and about poverty, alienation, and desperation, and, innovatively: consciousness and intense inner states. He returned to Norway and wrote several more novels, all well-received, original, and succesful. He won the Nobel Prize in 1920 for “Growth of the Soil,” but gradually became reclusive due to his need to write combined with and his cranky temperament. Norwegians were dismayed when in the 1930’s he expressed his support for Hitler. Although he claimed his sentiments were more anti-British than pro-German, he spoke in favor of National Socialism and was vilified in Norway. His rocky relations with his children and second wife are the subject of Hamsun (1996). In 1948, he was briefly imprisoned, and his assets were seized by the state. He died penniless in 1952. Hamsun was rehabilitated posthumously, and is again considered one of the great modern Scandinavian novelists. —IMDb.
Quote
“Life is but a memory happened long ago. Theatre full of sadness for a long forgotten show.”
Biography
A singular talent who passed almost unnoticed during his brief lifetime, Nick Drake produced several albums of chilling, somber beauty. With hindsight, these have come to be recognized as peak achievements of both the British folk-rock scene and the entire rock singer/songwriter genre. Sometimes compared to Van Morrison, Drake in fact resembled Donovan much more in his breathy vocals, strong melodies, and the acoustic-based orchestral sweep of his arrangements. His was a much darker vision than Donovan’s, however, with disturbing themes of melancholy, failed romance, mortality, and depression lurking just beneath, or even well above, the surface. Ironically, Drake has achieved a far greater stature in the decades following his death, with an avid cult following that grows by the year.
Part of Drake’s failure to attract a mass audience was attributable to his almost pathological reluctance to perform live. It was at a live show in Cambridge, however, that a member of Fairport Convention saw Drake perform, and recommended the singer to producer Joe Boyd. Boyd, already a linchpin of the British folk-rock scene as the producer for Fairport and the Incredible String Band, asked Drake for a tape, and was impressed enough to give the 20-year-old a contract in 1968.
Drake’s debut, Five Leaves Left (1969), was the first in a series of three equally impressive, and quite disparate, albums. With understated folk-rock backing (Pentangle bassist Danny Thompson plays bass on most of the cuts), Drake created a vaguely mysterious, haunting atmosphere, occasionally embellished by tasteful Baroque strings. His economic, even pithy, lyrics hinted at melancholy, yet any thoughts of despair were alleviated by the gorgeous, uplifting melodies and Drake’s calm, measured vocals. Bryter Later (1970) was perhaps his most upbeat effort, featuring support from members of Fairport Convention, and traces of jazz in the arrangements. On some cuts, the singer/songwriter, remarkably, dispensed with lyrics altogether, offering only gorgeous, orchestrated instrumental miniatures that stood well on their own.
Neither album sold well, and Drake, already a brooding loner, plunged into serious depression that often found him unable to make music, work, or even walk and talk. He managed to produce one final full-length work, Pink Moon (1972), a desolate solo acoustic album that ranks as one of the most naked and bleak statements in all of rock. He did record a few more songs before his death, but no more albums were completed, although the final sessions (along with some other fine unreleased material) surfaced on the posthumous compilation Time of No Reply.
Drake’s final couple of years were marked by increasing psychiatric difficulties, which found him hospitalized at one point for several weeks. He had rarely played live during his days as a recording artist, and at one point declared his intention never to record again, although he wished to continue to write songs for others. (It’s been reported that French chanteuse Françoise Hardy recorded some of Drake’s songs, but she hasn’t released any.) On November 26, 1974, he died in his parents’ home from an overdose of antidepressant medication; suicide has been speculated, although some of his family and friends dispute this.
In the manner of the young Romantic poets of the 19th century who died before their time, Drake is revered by many listeners today, with a following that spans generations. Baby boomers who missed him the first time around found much to revisit once they discovered him, and his pensive loneliness speaks directly to contemporary alternative rockers who share his sense of morose alienation. —allmusic guide
I remember a passage from an Edgar Allan Poe short story in Vivre sa vie by Jean-Luc Godard (I think the short story was The Oval Portrait). Nice scene by the way.
One film you love and will love for the rest of your life? just one film, no cheating, treat it like a marriage! over 3 years ago
King of the road by Wim Wenders
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who's the greatest living director? over 3 years ago
Wim Wenders
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top 10 favourite films from your home country over 3 years ago
France
- Le mépris (Jean-Luc Godard)
- La passion de Jeanne d’Arc (Dreyer)
- Les 400 coups (François Truffaut)
- Vivre sa vie (Jean-Luc Godard)
- L’Année dernière à Marienbad (Alain Resnais)
- Pierrot le fou (Jean-Luc Godard)
- La Jetée, Sans soleil (Chris Marker)
- Au hasard Balthazar (Robert Bresson)
- Les enfants du paradis (Marcel Carné)
- La Frontière de l’aube (Philippe Garrel)
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Where are you from? about 3 years ago
Perpignan, France
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Film Databse Submission December 2010 over 2 years ago
UTP_
Ryuichi Sakamoto & Alva Noto
2008
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Film Databse Submission December 2010 over 2 years ago
One Who Set Forth: Wim Wenders’ Early Years
DIR: Marcel Wehn
Germany, 2007
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The Auteurs Film & Cast Member Database over 2 years ago
Jon Hopkins
COMPOSER
Biography
Jon Hopkins is an electronic producer who meticulously constructs lush arrangements, blending digital beats and soothing ambience. His unique, hypnotic style made him a sought-after producer in the pop world, and earned him credits on albums by Coldplay, Massive Attack, Brian Eno, and Herbie Hancock in the late 2000s. Starting out as a gifted child pianist, in his teen years he became interested in synthesized sounds and started making acid house and drum’n’bass on a four-track recorder using computer software. He signed to Just Music at the ripe age of 19 in 2001, and recorded his debut album, Opalescent, while working part-time as a studio session musician in Wembley. His next album, 2004’s Contact Note, was slightly more cinematic in nature and gained the respect of Brian Eno, who recruited Hopkins to play keys on his 2005 comeback album, Another Day on Earth. Through Eno, Hopkins began working on Coldplay’s Viva la Vida as a co-producer before he returned to his solo career to complete his 2009 album, Insides. —allmusic guide.
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The Auteurs Film & Cast Member Database over 2 years ago
Charles Baudelaire
Quote
“The study of beauty is a duel in which the artist cries with terror before being defeated. "
Biography
Charles Baudelaire was a 19th century French poet, translator, and literary/art critic. At his birth, Baudelaire’s mother, Caroline Archimbaut-Dufays, was 28; his father Francois Baudelaire was 61. Charles’ father instilled in him an appreciation for art, taking his young son to museums and galleries, and teaching him to paint. When Charles was six, his father died and Charles became very attached to his mother, but when she remarried, he was sent to boarding school. The school was ruled by military discipline which caused much of Baudelaire’s solitude and fits of crushing melancholy. Baudelaire resented the strictures of his life and was, in turn, difficult and rebellious. He frequently fought with students and teachers. He began to write poems, which were not well received by his masters, who felt them examples of precocious depravity, unsuitable for his age. He eventually attended the College Louis-le-Grand, but was expelled in April 1839.
In an attempt to draw him away from the company he was keeping, Baudelaire’s stepfather sent him on a voyage to India in 1841. Baudelaire jumped ship and eventually made his way back to France in February of 1842. On his 21st birthday, Baudelaire received his father’s inheritance, but his lavish and extravagant lifestyle (including use of hashish and opium) dwindled his fortune. He fell prey to cheats and moneylenders, which led to heavy debt. He also contracted the venereal disease that eventually took his life. His parents obtained a court order to supervise his money and Charles received only a small allowance. In 1842, Charles met a Creole woman named Jeanne Duval, who became his mistress and dominated his life for the next 20 years. Jeanne would inspire Baudelaire’s most anguished and sensual love poetry, provoking such masterpieces of the exotic-erotic imagination as “La Chevelure” (“The Head of Hair”).
Baudelaire used his writing to shock and astonish society, likely because of his strict upbringing and strong opposition to authority. He often focused on the immoral and cynical. He felt that his ideas where very similar to those of Edgar Allen Poe, who focused on beauty, death, and the bizarre. Baudelaire began to translate volumes of Poe’s work into French, and much of Poe’s popularity in England and France is attributed to Baudelaire. In 1857, Baudelaire’s most well-known work, “Les Fleurs Du Mal” (“The Flowers of Evil”) was seized by French authorities and Baudelaire was forced to omit six poems and pay a fine; today, it stands as perhaps the most influential poetry collection published in Europe in the 19th century. He continued to publish “salon” studies and critical reviews of other artists, including Flaubert’s “Madame Bovary”. In 1860, he began publishing prose poetry, a poetic form unknown in France, and became renowned for his innovation in prose experiments.
Near the end of his life, Baudelaire’s agonizing moods of isolation and despair, which he called his moods of “spleen,” returned and became more frequent. In 1867, while in Belgium, Baudelaire developed hemiplegia and aphasia. He was brought back to Paris, where he died. —imdb.com.
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Post a song you are currently listening to over 2 years ago
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The Auteurs Film & Cast Member Database over 2 years ago
Thomas Mann
Quote
“Literature… is the union of suffering with the instinct for form. "
Biography
Thomas Mann was probably Germany’s most influential author of the 20th century, receiving the Nobel Prize in Literature in 1929. Born on 6 June 1875 in Lübeck, his family moved to Munich in 1893, where he lived until 1933 and wrote some of his most successful novels like “Buddenbrocks” (1901), “Death in Venice” (1912) or “The Magic Mountain” (1924). After the Nazi takeover, the humanist and anti-fascist, married to Katia Pringsheim, daughter of a secular Jewish family, emigrated to Switzerland, then to Princeton and Pacific Palisades in the United States, where he finished his great tetra-logy “Joseph and His Brothers” in 1942. Two years later, he became a naturalized US citizen, but finally returned to Europe in 1952. The famous analyst and critique of the German and European soul died on 12 August 1955 in Kilberg near Zurich. —IMDb
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The Auteurs Film & Cast Member Database over 2 years ago
Johann Sebastian Bach
COMPOSER
Quote
“Music is an agreeable harmony for the honor of God and the permissible delights of the soul.”
Biography
Johann Sebastian Bach was born on March 21, 1685, in Eisenach, Thuringia, Germany, into a large and distinguished family of professional musicians. His father, named Johann Ambrosius Bach, was a violinist and trumpeter, employed by the city of Eisenach. His uncles were church organists, court musicians and composers. His mother and father died before Bach was 10. As an orphan, he moved in with his eldest brother, J. C. Bach, an organist and composer, under whose tutelage Bach studied organ music as well as the construction and maintenance of the organ.
Education: At the age of 14, Bach received a scholarship and walked on foot 300 kilometers to the famous St. Michael’s school in Luneburg, near Hamburg. There he lived and studied for 2 years from 1699-1701. It was there that he sang a Capella at the boys chorale. Bach’s studies included organ, harpsichord, and singing. In addition he took the academic studies in theology, history and geography, and lessons of Latin, Italian, and French. Besides his studies of music by the local Nothern German composers, Bach had important exposure to the music of composers from other European nations; such as the French composers Jean-Baptiste Lully, Marais, and Marchand, the South German composers Johann Pachelbel and Froberger, and the Italians Arcangelo Corelli and Antonio Vivaldi.
Personality and character: Bach was 17 when he made a 4-month pilgrimage, walking on foot about 400 kilometers from Arnstadt to the Northern city of Lubeck. There he studied with ‘Dietrich Buxtehude’ and became so involved that he overstayed his leave by three months. Buxtehude being probably the best organist of his time became the living link between the founder of Baroque music [error] and the biggest Baroque genius, Bach. Back in Arnstadt, Bach wrote ‘Toccata and Fugue in D Minor’ (1702), his first masterpiece; which stemmed from his bold organ improvisations. At that time he was in love with his second cousin Maria Barbara; whom he was taking upstairs to the church organ, where her presence was inspirational for his creativity. Bach was punished for the violation of the restrictions on women’s presence in the church and he was fired. However, he eventually married Maria Barbara.
Cross-cultural studies: Bach studied the orchestral music of Antonio Vivaldi and gained insight into his compositional language by arranging Vivaldi’s concertos for organ. Six French suites were written for keyboard; each suite opens with ‘Allemande’ and consists of several pieces, including ‘Courante’, ‘Sarabande’, ‘Menuet’, ‘Gavotte’, ‘Air’, ‘Anglaise’, ‘Polonaise’, ‘Bourree’, and ‘Gigue’. As suggested by their titles, the pieces were representing songs and dances from various cultures. From the music of the Italians Antonio Vivaldi, Arcangelo Corelli, and ‘Giuseppe Torelli’; Bach adopted dramatic introductions and endings as well as vivacious rhythmical dynamism and elaborate harmonization. Bach also performed the music of English, French, and Italian composers; motets of the Venetian school, and incorporated their rhythmical patterns and textural structures in the development of his own style.
Teaching: Bach selected and instructed musicians for orchestras and choirs in Weimar and Leipzig. His work as a Cantor included teaching instrumental and vocal lessons to the church musicians and later to the musicians of the court orchestra. Bach was also a teacher of his own children and of his second wife. In 1730, Bach presented his second wife with a musical notebook for studies, known as the ‘Notebook of Anna Magdalena Bach’. Compositions in the notebook were written in a form of minuete, polonaise, gavotte, march, rondeau, chorale, sonata, prelude, song, and aria; written mainly by Bach, as well as by his sons ‘Carl Philip Emanuel Bach’, Johann Christoph Bach, and composers ‘Francois Couperin’, Georg Bohm, and others.
Family: Bach married his second cousin, named Maria Barbara, who was the inspirational force for his early compositions. They had seven children, 4 of whom survived to adulthood. W. F. Bach, J. C. Bach, and C. P. E. Bach became composers. Maria Barbara died in 1720. On December 3, 1721, Bach married Anna Magdalena (bee Wilcke), a talented soprano, who was 17 years his junior. They had thirteen children. Bach fathered a total of 20 children with his two wives. His sons ‘Friedemann Bach’, Johann Christoph Bach, and ‘Carl Philip Emanuel Bach’ became important composers in the Rococo style. The descendants of Bach are living in many countries across the world.
Social activity: Bach replaced his friend Georg Philipp Telemann as the director of the popular orchestra known as Collegium Musicum, which he led from 1729-1750. It was a private secular music society that gave concert performances twice a week at the Zimmerman’s Coffeehouse near the Leipzig market square. Bach’s exposure to such a secular public environment inspired him to compose numerous purely entertainment pieces for solo keyboard and several violin and harpsichord concertos.
Politics: Being the undisputed musical genius, Bach still suffered from ugly political machinations. Although the Leipzig Council had enough money, they never honored the promised salary of 1000 talers a year; promised to Bach by the Mayor of Leipzig, Gottlieb Lange, at the hiring interview. Bach worked diligently, in spite of being underpaid for 27 years until his death. On top of that local political factions in the Leipzig Council manipulated Bach’s educational work as well as his compositions and public performances. They were pressuring him as the Cantor and Composer and interfering his creative efforts by imposing restrictions on his performances because of their ugly political games. Bach prevailed as he composed and played his “Mass in B Minor” to the monarch of Saxony and was appointed the Royal Court Composer of Saxony.
King Frederick the Great invited Bach to Potsdam in 1747. There the king played his own theme for Bach and challenged the composer to improvise on it. Bach used the ‘royal theme’ and improvised a three-part fugue on the king’s piano. Later Bach upgraded the king’s theme to a more sophisticated melody, and composed an array of pieces based on the improved ‘royal theme’, which he titled “Musical Offering” and later presented this composition to the king.
Legacy: Bach wrote over eleven hundred music compositions in all genres. In Leipzig alone he wrote a cantata for every Sunday and feast day of the year, of which 224 cantatas survive. Some of his compositions were written on the same theme at different times in his life, like choral cantatas and organ works on similar themes with significantly reworked arrangements. The complete list of Bach’s works, BWV, has 1127 compositions for voice, organ, harpsichord, violin, cello, flute, chamber music for small ensembles, orchestral music, concertos for violin and orchestra, and for keyboard and orchestra. His music became the essential part of the education for every musician. Bach influenced such great composers as Ludwig van Beethoven, Franz Liszt, Frédéric Chopin, Felix Mendelssohn-Bartholdy, Sergei Rachmaninoff, Sergei Prokofiev and many other prominent musicians.
Bach is by far the most performed and recorded composer in history. His ‘Das Wohltemperierte Clavier’ (The well-tempered keyboard, or The well-tuned piano, in modern terminology) is the definitive work for all students as well as concert musicians. Bach’s ‘Orgebuchlein’ (The little organ book) is a staple in the repertoire of organists and pianists, and some pieces from it were arranged for ensembles. Bach’s many chorales, especially the “Mass in B Minor” are considered the best works in the genre. His last work ‘The Art of Fugue’ is best known for it’s acclaimed performance by Glenn Gould. Bach’s music was used in hundreds of films, thousands of stage productions, and continues being played all over the world. —IMDb
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The Auteurs Film & Cast Member Database over 2 years ago
Knut Hamsun
Quote
“The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.”
Biography
Norwegian novelist Knut Hamsun was born to a poor family and sent to live with an uncle, a commercial fisherman. He grew up without any formal schooling. Hamsun left Norway for the U.S. twice: once in 1882, and again in 1886. Each time he stayed in the U.S. for two years, holding various jobs including farmhand and Chicago streetcar conductor. He was often poverty-stricken. His first novel “Hunger” is autobiographical and about poverty, alienation, and desperation, and, innovatively: consciousness and intense inner states. He returned to Norway and wrote several more novels, all well-received, original, and succesful. He won the Nobel Prize in 1920 for “Growth of the Soil,” but gradually became reclusive due to his need to write combined with and his cranky temperament. Norwegians were dismayed when in the 1930’s he expressed his support for Hitler. Although he claimed his sentiments were more anti-British than pro-German, he spoke in favor of National Socialism and was vilified in Norway. His rocky relations with his children and second wife are the subject of Hamsun (1996). In 1948, he was briefly imprisoned, and his assets were seized by the state. He died penniless in 1952. Hamsun was rehabilitated posthumously, and is again considered one of the great modern Scandinavian novelists. —IMDb.
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The Auteurs Film & Cast Member Database over 2 years ago
Nick Drake
COMPOSER
Quote
“Life is but a memory happened long ago. Theatre full of sadness for a long forgotten show.”
Biography
A singular talent who passed almost unnoticed during his brief lifetime, Nick Drake produced several albums of chilling, somber beauty. With hindsight, these have come to be recognized as peak achievements of both the British folk-rock scene and the entire rock singer/songwriter genre. Sometimes compared to Van Morrison, Drake in fact resembled Donovan much more in his breathy vocals, strong melodies, and the acoustic-based orchestral sweep of his arrangements. His was a much darker vision than Donovan’s, however, with disturbing themes of melancholy, failed romance, mortality, and depression lurking just beneath, or even well above, the surface. Ironically, Drake has achieved a far greater stature in the decades following his death, with an avid cult following that grows by the year.
Part of Drake’s failure to attract a mass audience was attributable to his almost pathological reluctance to perform live. It was at a live show in Cambridge, however, that a member of Fairport Convention saw Drake perform, and recommended the singer to producer Joe Boyd. Boyd, already a linchpin of the British folk-rock scene as the producer for Fairport and the Incredible String Band, asked Drake for a tape, and was impressed enough to give the 20-year-old a contract in 1968.
Drake’s debut, Five Leaves Left (1969), was the first in a series of three equally impressive, and quite disparate, albums. With understated folk-rock backing (Pentangle bassist Danny Thompson plays bass on most of the cuts), Drake created a vaguely mysterious, haunting atmosphere, occasionally embellished by tasteful Baroque strings. His economic, even pithy, lyrics hinted at melancholy, yet any thoughts of despair were alleviated by the gorgeous, uplifting melodies and Drake’s calm, measured vocals. Bryter Later (1970) was perhaps his most upbeat effort, featuring support from members of Fairport Convention, and traces of jazz in the arrangements. On some cuts, the singer/songwriter, remarkably, dispensed with lyrics altogether, offering only gorgeous, orchestrated instrumental miniatures that stood well on their own.
Neither album sold well, and Drake, already a brooding loner, plunged into serious depression that often found him unable to make music, work, or even walk and talk. He managed to produce one final full-length work, Pink Moon (1972), a desolate solo acoustic album that ranks as one of the most naked and bleak statements in all of rock. He did record a few more songs before his death, but no more albums were completed, although the final sessions (along with some other fine unreleased material) surfaced on the posthumous compilation Time of No Reply.
Drake’s final couple of years were marked by increasing psychiatric difficulties, which found him hospitalized at one point for several weeks. He had rarely played live during his days as a recording artist, and at one point declared his intention never to record again, although he wished to continue to write songs for others. (It’s been reported that French chanteuse Françoise Hardy recorded some of Drake’s songs, but she hasn’t released any.) On November 26, 1974, he died in his parents’ home from an overdose of antidepressant medication; suicide has been speculated, although some of his family and friends dispute this.
In the manner of the young Romantic poets of the 19th century who died before their time, Drake is revered by many listeners today, with a following that spans generations. Baby boomers who missed him the first time around found much to revisit once they discovered him, and his pensive loneliness speaks directly to contemporary alternative rockers who share his sense of morose alienation. —allmusic guide
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OT: What are you reading? about 2 years ago
(Dostoievski – Poor Flok)
And I must say .. it’s pretty boring.
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Cat you’ve got some really good music taste :)
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Music speaks by itself
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Jazz Anyone? about 2 years ago
Tord Gustavsen Trio
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Best IDM music this year
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To feel good
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What’s the point of waiting
For life to come
I could go further
And no one’s surprised
Your plans collapse, run off or fall apart…
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OT: What are you reading? about 2 years ago
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Best opera ever. Puccini is a master. Heartbreaking moment.
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Books mentioned/read in films about 2 years ago
Ahah nice picture Grey Daisies :)
I remember a passage from an Edgar Allan Poe short story in Vivre sa vie by Jean-Luc Godard (I think the short story was The Oval Portrait). Nice scene by the way.
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And for the jazzys
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