“Documentary can requote reality I think more honestly and authentically, when done properly, than any other medium. If it is practiced properly, then it is more like photography than cinematography.”
“I get up late after editing ‘til dawn, soil some kitchenware, feed the cats and then go out for exercise so that my mid section doesn’t expand so much when I sit down at the editing bench once again.”
“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”
“Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.”
“Films can illustrate our existence…they can distress, disturb and provoke people into thinking about themselves and certain problems. But NOT give the answers.”
“It’s no exaggeration to say that the ‘sequence’ group changed the whole way of feeling and thinking about film in England – at any rate for a few inspiring years, before the British sank once again into complacency and philistinism.”
“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”
“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”