“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”
“I don't set out to make a film as a metaphor. People can read into it what they like, afterwards. The concept is embodied by the story, by the characters, by the context.”
“There is nothing more funny than when something unexpectedly happens in a funeral, because in a tragic situation it is when one has more desire of laughing: this is the humour, the unexpected thing.”
“I tried to make films with a relentless and direct style, where I emphasized the strenght and beauty of Mexico, because Mexico has an unsettling duality: it is a people of masks and of full transparency.”
“I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.”
“It’s no exaggeration to say that the ‘sequence’ group changed the whole way of feeling and thinking about film in England – at any rate for a few inspiring years, before the British sank once again into complacency and philistinism.”