“There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it.”
“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”
“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”
“I feel that cinema should be like a box of surprises, like a magic box. And in that world, anything is allowed to enter, as long as it's always treated with a spirit of 'Pop!'.”
“Rhythm cannot be explained completely by thought nor can thought be put in terms of rhythm, or converted or reproduced. They both find their connection and identity in common and universal human life, the life principle, from which they spring and upon which they can build further.”
“Hollywood is just too marvelous. One feels the footprints of all the immortals are here, but has a terrible feeling that they are in sand and won’t last when civilization comes this way.”
“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”
“Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.”