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Emily's Favorite Auteurs

Displaying auteurs 1 - 20 of 156 in total
W120

Marie Menken

“There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it.”

 
W120

Max Ophüls

“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”

 
W120

Mario Bava

“In a horror film, lighting is 70% of the effectiveness. It’s essential in creation the atmosphere.”

 
W120

Frans Zwartjes

“My own motor system determined the film style.”

 
W120

Kenneth Anger

[On unemployed filmmakers] "It seems much easier for these people to rent my films, look at them and make notes, than to give them a job."

 
W120

Andrea Arnold

“Dramatically, I like darkness, I like conflict - but I don't see the world as defined by them. And why would I pretend to? That's not who I am.”

 
W120

George A. Romero

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

 
W120

Josef von Sternberg

“I care nothing about the story, only how it is photographed and presented.”

 
W120

Rainer Werner Fassbinder

“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”

 
W120

Jesús Franco

“I feel that cinema should be like a box of surprises, like a magic box. And in that world, anything is allowed to enter, as long as it's always treated with a spirit of 'Pop!'.”

 
W120

Hans Richter

“Rhythm cannot be explained completely by thought nor can thought be put in terms of rhythm, or converted or reproduced. They both find their connection and identity in common and universal human life, the life principle, from which they spring and upon which they can build further.”

 
W120

James Whale

“Hollywood is just too marvelous. One feels the footprints of all the immortals are here, but has a terrible feeling that they are in sand and won’t last when civilization comes this way.”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”

 
W120

Lucio Fulci

“Cinema is everything to me. I live and breathe films — I even eat them!”

 
W120

Samuel Fuller

“Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.”

 
W120

Chantal Akerman

“When people ask me if I am a feminist film maker, I reply I am a woman and I also make films.”

 
W120

Hal Ashby

“Hitchhiked to Los Angeles when I was 17. Had about 50 or 60 jobs up to the time I was working as a Multilith operator at good old Republic Studios.”

 
W120

Agnès Varda

“I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.”

 
W120

Aleksandr Sokurov

“The surface of the screen and that of the canvas are one and the same.”

 
W120

Tony Gatlif

“At the time, it was useless to use words to make the case for the gypsies, so I used music as the key.”