[on Errol Flynn] “He was a joy, a lovely man, and most of the talk about him is nothing but rumor…He loved to talk about how much he could drink and the women he’d made love to, but most of it was just the rationalizations of a disappointed moralist.”
“I tried to make films with a relentless and direct style, where I emphasized the strenght and beauty of Mexico, because Mexico has an unsettling duality: it is a people of masks and of full transparency.”
“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”
“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”