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Omar's Favorite Auteurs, Page 4

Displaying auteurs 61 - 80 of 130 in total
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Anton Corbijn

“I don't like a very fast film; I wanted a film where there would be time for someone to walk through a room because I like movement by people.”

 
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Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
W120

Ousmane Sembène

“I am really unable to talk about my life – I don’t know my life. I’ve travelled a lot and this is the life that I have lived, but that doesn’t mean that I know myself.”

 
W120

Satoshi Kon

“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”

 
W120

Louis Malle

“You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.”

 
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Nelson Pereira dos Santos

“As I have said race is a theme that because of my upbringing is incorporated into my existence. The other great issue, poverty, which is very linked to race, is a permanent theme in all my films; it's not possible to think about national identity without including the very serious problem of absolute poverty in some parts of Brazil.”

 
W120

Allan King

“[Cinema-]verite is the most terrifying, challenging and, if it works, the most rewarding filmmaking experience. It's the next best thing to being a writer.”

 
W120

Wim Wenders

“Any movie that has that spirit and says things can be changed is worth making. ”

 
W120

Michael Powell

“I’m not a director with a personal style, I am simply cinema. I have grown up with and through the cinema...”

 
W120

Jafar Panahi

“In a world where films are made with millions of dollars, we made a film about a little girl who wants to buy a fish for less than a dollar.”

 
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Nagisa Ôshima

“My hatred for Japanese cinema includes absolutely all of it.”

 
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Thomas Vinterberg

“The Dogma Manifesto was a wonderful opportunity to be a team, to unite the country’s filmmakers. But we’ve all sought out other paths, we distanced ourselves from a movement that was becoming a brand, and would have ended up limiting our creativity.”

 
W120

Bong Joon-ho

“Human beings basically express their feelings in the same way. They feel the same feelings. If you look at two foreigners talking to each other, you soon can see if they are fighting, or are in love.”

 
W120

Jane Campion

“What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.”

 
W120

Arthur Penn

“Life is like nothing I’ve ever seen.”

 
W120

Frederick Wiseman

“There are lots of different ways to make film. I don’t believe there has to be any orthodox way to making movies, or any rules. It’s what works for the filmmaker, and, theoretically, the audience.”

 
W120

Apichatpong Weerasethakul

“I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts.”

 
W120

François Truffaut

“I have always preferred the reflection of the life to life itself.”

 
W120

Abbas Kiarostami

“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”