“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.”
“I was a kid looking for something but I didn’t know what. The movie business seemed like a terrific thing to get into, because that’s where the money and the fun was at.”
“I don’t have all the answers, it’s more that I’m bringing up all sorts of questions and incongruities and things that don’t match because that’s what people really are, these anomalies. There are all these qualities that don’t match within people, and that’s what makes people individuals and makes them very difficult to understand and yet also interesting.”
“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“What fascinates me are people who want to be one thing but who behave in a way contradictory to that. Who might say, ‘I want to be happy, but I keep doing things that make me unhappy.”
“I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.”
“(On why did he not record an audio commentary for 21 Grams) I don't like them. I feel that if you have to explain something it loses strength. It's like a magician trying to explain his magic, in a way.”