I’m like a drunken and besotted father figure of old who was pushed on an ice wedge to sea.

I actually live in Sandy Springs, GA – just north of Atlanta, but apparently Mubi doesn’t recognize that as a city.

I’m also an intern at Porsche Cars North America in Atlanta. I make forecasts about how many pre-owned cars we’ll sell as well as deal with different problems and questions that the dealers have.

My rating scale:

5 – hated it
4 – hated it
3 – hated it
2 – hated it
1 – hated it

My current top 20:

1. Le Bonheur (Varda, 1965)
2. Pierrot le Fou (Godard, 1965)
3. The Shining (Kubrick, 1980)
4. Cleo from 5 to 7 (Varda, 1962)
5. Eraserhead (Lynch, 1976)
6. 8 1/2 (Fellini, 1963)
7. Last Year at Marienbad (Resnais, 1961)
8. L’eclisse (Antonioni, 1962)
9. A Woman Under the Influence (Cassavetes, 1974)
10. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (Akerman, 1975)
11. Solaris (Tarkovsky, 1972)
12. A Woman is a Woman (Godard, 1961)
13. A Serious Man (Coen bros., 2009)
14. The Match Factory Girl (Kaurismaki, 1990)
15. Gummo (Korine, 1997)
16. Pigs and Battleships (Imamura, 1962)
17. Pale Flower (Shinoda, 1964)
18. Kiss Me Deadly (Aldrich, 1955)
19. Sweet Smell of Success (Mackendrick, 1957)
20. Sing a Song of Sex (Oshima, 1967)

I like a lot of music, too – especially classical, modern comp, experimental / noise, & experimental pop. I’m working on my own noise project right now called Today’s Hypersexualized Female. Here are some songs I made:

The Extremely Distorted Sound of Me Hitting Record Looped for Seven Minutes With EQ Manipulation and a Lot of Other Stuff

Cup, Etc.

I would really like your opinion on either of these songs if you have one!

P.S. I luv mubis.