I’m like a drunken and besotted father figure of old who was pushed on an ice wedge to sea.

I live in Decatur, GA, which is just east of Atlanta.

I’m not an intern anymore! :)

My rating scale:

5 – hated it
4 – hated it
3 – hated it
2 – hated it
1 – hated it

My current (highly arbitrary) top 20:

1. Eraserhead (Lynch, 1976)
2. Le Bonheur (Varda, 1965)
3. Pierrot le Fou (Godard, 1965)
4. The Shining (Kubrick, 1980)
5. Cleo from 5 to 7 (Varda, 1962)
6. 8 1/2 (Fellini, 1963)
7. Last Year at Marienbad (Resnais, 1961)
8. L’eclisse (Antonioni, 1962)
9. A Woman Under the Influence (Cassavetes, 1974)
10. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (Akerman, 1975)
11. Solaris (Tarkovsky, 1972)
12. A Woman is a Woman (Godard, 1961)
13. A Serious Man (Coen bros., 2009)
14. The Match Factory Girl (Kaurismaki, 1990)
15. Gummo (Korine, 1997)
16. Pigs and Battleships (Imamura, 1962)
17. Pale Flower (Shinoda, 1964)
18. Kiss Me Deadly (Aldrich, 1955)
19. Sweet Smell of Success (Mackendrick, 1957)
20. Sing a Song of Sex (Oshima, 1967)

I like a lot of music, too – especially classical, modern comp, experimental / noise, & experimental pop. I’m working on my own noise project right now called Today’s Hypersexualized Female.

Here are some songs I made:

A Train

Cup, Etc.

I would really like your opinion on either of these songs if you have one!

P.S. I luv mubis.