“People ask me if I would have used computer graphics today. I may have, I don’t know. There’s a lot of technology now that allows you to view instantly the film you’ve just shot. But I never cared what I had done, I only cared where I was going.”
“Any interference by society in an adult’s personal life will be extremely dangerous until society itself becomes ideal. But in the ideal society interference in personal life will obviously be unnecessary.”
“The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.”
“I've always loved the idea of fairy tales, but somehow I never managed to completely connect with them. What interests me is taking those classic images and themes and trying to contemporize them a bit. I believe folk tales and fairy tales have some sort of psychological foundation that makes that possible.”
“Don’t be embarrassed about opening your mouth and letting rip with all you’ve got, because the person in the seat right next to you, will probably be screaming too!”
“The character on the screen is expressed not through dialogues full of suggestions, not through specially constructed frames, not through the characters’ reasonings about themselves, but through ingenuous action. I analyze people proceeding from their behavior.”
[On one of his most famous characters] "The coyote is victimized by his own ineptitude. I never understood how to use tools and that's really the coyote's problem."
“I see a film as a puzzle, with a beginning, middle, and end, but I like to start at the end sometimes. I start with sequences that stimulate the viewer’s intelligence and emotions. You have to strike hard from the beginning and create a depressurizing zone between the viewer’s own life and the one onscreen.”