“A film is alive. You shouldn’t stifle it. You should never over art-direct, over conceive, over research, or walk in with an exact idea of how things should be done.”
“I look at myself as an entertainer, more than anything else. I wanted to make the movie a little more different than the previous films… That was less about me growing as a craftsman. That was more about me trying to provide an element to the audience that I thought they might need something different, that came from a different place.”
“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”
“I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theater than when it came in.”
“Definitely faces are important to me. One of my problems with a lot of things I watch is that everybody’s too pretty and it takes me out of the film because I’m thinking that all these people look like I’ve seen them in a café in Los Angeles.”
“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”