“Watching art films all your life and avoiding commercial cinema all your life is not a problem. I’m not ashamed of being in the arty crowd and feeding on it.”
[Answering the questions: what keeps you going?] "There is no secret – it is work! It is doing something, it is a natural impulsion. My life is so complicated – I need space around me, I have so much going on and my house is small, and I need breathing space. I cannot seem to sort it out. I cannot either stretch time, or enlarge the house. That would take up precious time which I cannot afford."
“I studied philosophy because it demands an intellectual outlook on the world [...] But I soon discovered that philosophy was too subjective: it lacks heart, it’s over-intellectual, and I found that it made me cut myself off from the everyday.”
“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”
“What's important for me in a film is that it be alive, that it be imbued with presence, which is basically the same thing. And that this presence, inscribed within the film, possesses a form of magic. There's something profoundly mysterious in this.”
“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”
“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”
“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”
“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”