Oh yeah. I should really delete that, but I have no idea how. I use this account daily (basically) so, yeah. Thanks for following haha
Reasons for everything man! The only reason I don't have Godard or Andersson or really sick filmmakers is because I am not familiar enough with the majority of their work. Seeing The Happening fail as a kid is the reason I wanted to become a filmmaker, and as a kid I thought the village and the sixth sense were so revolutionary with their twists. It's kind of like me vouching for Cage because of Adaptation and Bad Lieutenant haha
Ah, I see. Well get on that, man. But I gotta tell you I think The Village is absolutely one of the most abhorrent films ever made.
If you get a chance, here is a a short blip I made about a homeless poet in Atlanta: http://vimeo.com/17116445 I have a couple of other montages and narratives on there, which are hopefully helping me flesh out the need to control an entire project. I worked as just DP on a project Saturday, and I feel that it is going to be a lot more fulfilling. Will keep you updated if you wish!
Let's do a film study on how and why, over the course of his directorial career, Darren Aronofsky repeatedly uses this image (or parts of it.). http://www.ibiblio.org/wm/paint/auth/vinci/sketch/proports.jpg I'm starting to believe Aronofsky's films all have one thing in common: they all in some way or another point back to "Pi" (i.e. the perfect circle). Thoughts? ;)
Save for "Pi," I don't remember that image ever being used in one of his films. But I'd say the theme in all his films are characters that are going completely out of their minds. What do you mean by "the perfect circle" exactly?
Let’s make a movie about a person who can’t make a movie. It seems like an ill-fated conceit. But Felinni somehow managed to do it quite well with “8 1/2.” And then for some reason, Maury Yeston… read review
18 days ago
almost 2 years ago
almost 2 years ago