“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“The movies I like to make are very rich and full of passion. Some people see me as an action director, but action is not the only thing in my movies. I always like to show human nature - something deep inside the heart.”
“I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five. I actually didn't really start to get into the research of film until I was much older. I decided I wanted to direct a lot earlier than I started to do the research, which is really strange, but it is the case.”
“We've always loved going to the movies. Our mom and dad are big movie fans. They'd take us on these movie orgys where we'd see sometimes three movies in a day.”
“It's not just putting people with disabilities in the movies - it's putting them in and letting them be a wide range of characters. Some of them are funny, some of them are not, some of them are nice, some of them are jerks. They're just like everybody else. If a guy came up to us and he was physically disabled or something and he was mad at us for something we did, it would kill us. Me or Pete - it would kill us.”
“We do have a problem in this country. You can either make a movie and ignore that, or you can acknowledge it and say, this is the water that we're living in. You know this - the movie lives in this - it's centered around this particular problem, and I chose to acknowledge it.
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“I think it's very difficult and it requires a tremendous amount of spiritual integrity and discipline to not be a narcissist in a culture that encourages it every step of the way.”